Word: casts
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Dates: during 1950-1959
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...title would suggest. That title, it might be well to explain at the outset, is also the name of a newspaper comic strip character who, for some unclear reason, comes to life to haunt his creator. The fact that Rumple is invisible to everybody else in the cast provides Irving Phillips' book with its main source of humor. Though scarcely original, the joke is still intermittently funny...
...wandered in a happy daze backstage. The chic mob then swept on to Sardi's, finally swarmed to a full-blast party given by balding, burly Producer Roger Stevens at Park Avenue's Ambassador Hotel. There the dark-haired girls and long-sideburned boys of the cast gulped champagne, danced to music from My Fair Lady...
...that can carry a telecast out of Little Rock. When NBC's News Director Bill McAndrew learned this, he telephoned Day and said hopefully: "This is bigger than both of us." Day agreed, and arranged to share CBS pickups with NBC. The CBS gesture proved to be bread cast on the waters. At the last moment before the special telecasts were to start, CBS's telephone line to its Little Rock mobile unit went dead. For the next few hours, to get advance information and send instructions, Day relayed everything through NBC's McAndrew, who was connected...
...politician until he turns the tables, learning at last that vice is its own reward. The preposterous little fable is funniest when played in deadly earnest. Playhouse 90 pitched it in a mood of self-conscious farce with blackouts to end each act, played it with an ill-starred cast. Comedian Ernie Kovacs as Topaze and Carl Reiner as the swindler heightened the effect of a rambling revue skit, did not so much dominate as swamp their roles with their familiar TV personalities. Still, in a medium that mines so much of its comedy from mothers and fathers who know...
...admirably supported by an unusually talented cast. Cecil Parker and Michael Gough hilariously lampoon the stolidity of a pair of English industrialists without being in the least unkind or unlikable. And shapely Joan Greenwood is absolutely perfect as the rebellious daughter of the industrialist who employs our hero. She manages to portray the peaches and cream English type wanting to make a nest, yet at the same time a delightfully seductive sophisticate. One of the best minor roles in the film is carried by Vera Hope as a stalwart and outspoken labor organizer whose femininity shows through now and then...