Word: casts
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Dates: during 2010-2019
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...really bring out the absurdity of the script,” Federman says. Stone saw potential in the tension and energy of Shakespeare’s and Wilkins’ joint work. “The script poses a lot of problems right off the bat, and the cast and I necessarily rose to the challenge to come up with exciting solutions,” he says...
...Adam has been fearless in editing, cutting, and reworking the production,” Madoff says. Stone adds, “I just developed the production word for word from the script based on the images and references that filtered into my mind and that of the cast.” In addition to directing, Stone also sound-designed the entire production. “You will hear everything
Stone also places importance on the ideas of his cast. “The ensemble process is very important to me,” he says, “and I casted students who could bring something unique to the final production.” Madoff notes that Stone is skilled in bringing out the best in his cast. “Adam is remarkably good at extracting from the script—and from...
...Beanstalk’ fame), Little Red Riding Hood, Rapunzel, and Cinderella all find themselves wandering in the same dark woods. Tying these various stories together is that of the Baker and his Wife, who search for the four items that will lift a curse that has been cast on them: “The cow as white as milk, the cape as red as blood, the hair as yellow as corn, the slipper as pure as gold.” Sondheim’s play is in itself alive with magic and mystery, but what is most enchanting about this...
...realization of the show is subtle, but deliberate and creative. From the booming voice of the giantess to the smoke that appears alongside the spells of the Witch, the production effectively establishes the magical world of the woods without distracting from the vocal work and acting of the remarkable cast...