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...cast consists of only four actors; an interesting and risky choice for a musical with so many eclectic roles, but consistent with how the play is performed off-Broadway. The effect is confusing, often dizzying, and not too different from being in love...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: 'I Love You, You're Perfect,' Don't Change! | 8/7/2007 | See Source »

Thus, the actors deserve great praise. Cast members Christine K. L. Bendorf ’10, Jonas A. Budris ’06, Walter B. Klyce III ’10, and Morgan L. Mallory ’10 all wonderfully portrayed the countless personalities in the musical—usually ironically, sometimes earnestly, but always skillfully. Not only are they four talented actors, but they are talented singers as well. The most memorable moments in their performances included Klyce crying at a “chick flick” on a date at the movies, Bendorf giving a stellar...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: 'I Love You, You're Perfect,' Don't Change! | 8/7/2007 | See Source »

Talented as the cast may be, however, a musical’s success depends wholeheartedly on a skillful and dependable band. With Ben E. Green ’06 at the piano and Catherine E. Powell ’08 at the violin, “I Love You” was a complete success. They provided the backdrop against which the actors could shine...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: 'I Love You, You're Perfect,' Don't Change! | 8/7/2007 | See Source »

...meeting of her Socialist Party Barcelona. That has allowed more Spaniards to come out of the closet and say they are against bullfighting. CACMA expects 3,000 people to gather at their Malaga demonstration. "This is not a tradition to maintain, but to eradicate," says Moreno Abolafio. "We must cast away the cliche of Spain represented by a man dressed as a bullfighter and a woman as a flamenco dancer...

Author: /time Magazine | Title: In Spain, No Ole for Bullfights | 8/6/2007 | See Source »

...director first cast Vitti, a little-known stage ingenue, as a voice double for another actress in the 1957 Il Grido. "We became friends," Antonioni later said. "Then things evolved. A relationship was born and a series of films." With a husky voice, a mop of blond hair and strong features that caught the camera's eye even when she wasn't center-screen, Vitti starred in five Antonioni pictures, instantly becoming their anguished or volatile face, their always human soul. She was so acute a revealer of depression, disappointment, despair, that it was a shock...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

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