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...other impressive moment in the HBC “Paquita” performance was the stellar fuete turn sequence during the finale—which was otherwise a bit lackluster, most likely due to a tired cast. At this point in the night, the dancers in the finale did not fully finish their steps and their lines became a bit uneven...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Bravura and Blues’ a Lovely Ballet Show | 4/29/2007 | See Source »

...Lights off to the sides spelling out “Wit” and “Honor” continue the theme of the modern intersecting with the old. A clear plastic screen in back is painted by the cast as the play unfolds, revealing black patterns printed on it. While this seems to have little connection to the themes of the play, it is extremely visually arresting...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Way of the World’ Universally Fun | 4/29/2007 | See Source »

...marital problems of my hosts feel real. Nicholas, as George, visibly develops throughout the play from a bitterly sarcastic, but still calm intellectual into a violent madman. Forbess is alternately psychotic, malicious, and seductive. Indisputably the star of a talented four-person cast, she is Martha: from the sneer on her face to the garish bray of her laugh. The couple’s repertoire vividly etches itself into one’s brain through the screamed, snarled, spat—anything but spoken—dialogue...

Author: By April B. Wang, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Who’s Afraid?’ Is a Strong, Intense Play | 4/29/2007 | See Source »

...Nevertheless, he said he’s learning as he goes along. In fact, he even said he picked up a few languages while working with the multinational cast...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: 'Stone Cold' Looks To Future | 4/27/2007 | See Source »

...that is confusing and frustrating." Wilner has never seen a performance of “Who’s Afraid of Virginia Woolf?,” which treats the decline of the marriage between two academics, and says he avoided watching the movie adaptation so that he and the cast could come up with an entirely original interpretation. "I’d read [the script] before and then I reread it several times when I decided to direct it. At a gut emotional level, it’s a really beautiful and really sad play, and it moved me just...

Author: By Charles R. Melvoin, CONTRIBUTING WRITER | Title: SPOTLIGHT: Daniel J. Wilner '07 | 4/27/2007 | See Source »

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