Word: casts
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...Even China, Asia's perennial pop-culture laggard, has hopped on the bandwagon. The upcoming The Ghost Inside?at $600,000, the country's most expensive scary movie?transplants the single-mom-in-a-creepy-apartment formula to an impersonal, rapidly modernizing mainland city. Despite the tight budget, its cast includes Beijing heartthrob Liu Ye and Taiwanese TV-drama princess Barbie Hsu. For now, though, the hotbed of Asian dread remains Japan, where Ichise presides over his assembly line of scares. In the next two years he plans to release at least four more Japanese ghost movies, including one each...
...highest-earning piece of live entertainment. "If half of the people who've seen the show see the film," says executive producer Austin Shaw, "it will gross $350 million. And what about the 2.9 billion people who haven't seen it?" Such confidence might explain the decision not to cast big names in the lead roles. Moulin Rouge had Ewan McGregor and Nicole Kidman; Chicago had Renee Zellwegger, Catherine Zeta-Jones and Richard Gere; Phantom has 18-year-old Emmy Rossum (The Day After Tomorrow) and Scott Gerard Butler, 35, best known for 2003's Tomb Raider sequel. The only...
...Forgotten has the makings of an intelligent paranoid thriller, but I found nothing spectacular or terrifying in it, only government agents scrambling to hide a conspiracy and scrambled plot lines trying to hide a lack of creativity, despite the guarantee a seemingly competent cast should offer. Julianne Moore’s Telly Paretta is a likeable everywoman. Her therapist (Gary Sinise), is appropriately authoritarian, while her husband (ER’s Anthony Edwards) appears to be phoning in his support from another planet. They are too hampered by the product they’ve been asked to deliver to hope...
...intimate film about the lives of a small cast of characters, this simple masterpiece by director Mike Leigh manages to be at once philosophically expansive and physically claustrophobic. Personalities too large for their surroundings compound the effect of poverty on spaciousness—there is merely too little room to accommodate everyone, their needs for privacy and their individual desires. Imelda Staunton gives a tight performance as the title character, a mid-century London mother who tests light bulbs in a factory and keeps house for the wealthy to provide for her children and aged mother. In her spare time...
...that I had a large role; in fact, I didn’t have one line in the whole show. But it involved a very rigorous rehearsal process. I was a member of the tragedian troupe and we spent a lot of time building and uniting the ensemble. The cast was extremely talented, as was the staff. It was overall just a very enjoyable, professional, and rewarding play...