Word: casuality
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Dates: during 1960-1969
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From the other end, most of the interviewers who work for IGS enjoy the interesting work and the casual set-up. The workers get to choose their own hours, have frequent changes of jobs, and can work at their own pace. Joyce Peters '68, and IGS employee, says she thinks the organization is run very well, and that the management is very friendly. "The way it's set up is optimum for the way I want to work," she said...
...Mitchum's daughter Trina will have none of this riding-the-range bit; she's gone off and bought her own hunter, which she rides and shows English style. Nor is she alone: until five years ago at Valley Farm Stables riding was predominantly Western and casual; now, suddenly, 70% are using English saddles...
...Drama of sweep and scope makes large statements about the nature of life and refracts the temper of the times. All the great ages of theater have possessed a vaulting image of man, and an absorptive, undeviating concern with his destiny. "In apprehension, how like a god" is not casual Elizabethan rhetoric, but the supremely assured recognition that man is the noblest, grandest creature that walks the earth. And what does contemporary U.S. society say of the stature of man-how like a naked ape, how like an irrational id, how like a punch card in a computer...
...casual tourist on an afternoon outing, Bermuda seemed the same old happy, fun place. Old folks milled through the gleaming pastel shops on Hamilton's Front Street; honeymooners buzzed about the island on rented motorbikes and lounged on beaches or around hotel pools. But after dark, Bermuda took on a new atmosphere. Everyone was ordered off the streets, and soldiers threw up barbed-wire barricades. Extra police patrolled the downtown area. Lights blinked late on the newly arrived British troop frigate, H.M.S. Leopard, which bobbed at anchor in a Front Street berth normally reserved for cruise ships. Thus last...
...Galleries XI and XIII have been filled with large works; in XI, a series of very powerful dark field nudes and interiors (e.g., Le Foyer, #37, or Femme Au Bain, #31); in XIII, a colored, proto-abstract landscape series. In the central room, divided by partitions, the smaller, more casual works have been mounted in groups, much as they would have appeared on the wall of a late nineteenth century room. Flowers on console tables bring out the color of those monotypes which have been reworked with pastel. A few chairs help to enhance this pleasant evocation of an interior...