Search Details

Word: catacombs (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Catacomb Christianity. The prophetic critic of Nazism mellowed into an enigmatic neutral during the cold war. In 1945, he defended the return of political freedom to the German people, who, he said, had been Hitler's first victims. He consistently refused to condemn the aggressions of Russia with anything like the same vigor with which he had challenged Hitler. Unlike Nazism, Barth argued, Communism was a totally materialistic philosophy whose frank atheism represented no threat to the internal authenticity of the church. He thus refused to protest the Communist invasion of Hungary-although when a friend visited...

Author: /time Magazine | Title: Religion: The Death of Two Extraordinary Christians | 12/20/1968 | See Source »

...play's most impressive assets. In the central role, Donald Pleasence gives a performance of atomic power and blinding virtuosity; Harold Pinter directorially chills the stage to doom temperature. The very first scene bursts on the playgoer with somber eclat. In an elegant private chapel, dim as a catacomb, a finger of light rests on Pleasence as he kneels rapt in prayer. The Verdi Requiem saturates the air like incense. Suddenly, the stage is ablaze with light, louvers are turning, and the backdrop becomes a penthouse view of Manhattan's skyscrapers...

Author: /time Magazine | Title: New Plays: Act of Atonement | 10/4/1968 | See Source »

With the meticulousness of a ghoul in a catacomb, he establishes his heroine Rosemary as a lapsed Catholic. Her story begins when she and her ambitious actor-husband, Guy, take up residence in the Bramford, a prestigious and fabled apartment house on the West Side of Manhattan-a place obviously modeled after the proud, gloomy old Dakota, on Central Park West. One of the fables of the Bramford concerns the prevalence of witches there...

Author: /time Magazine | Title: Books: The Devil Is Alive And Hiding on Central Park West | 6/23/1967 | See Source »

Anouilh puts his characters into wigs, and they traverse the centuries back to the French Terror of 1793. The play begins ten years after the end of World War II. Maxime (Charles D. Gray), a rich aristocratic rightist, decides to hold a wig party in a Gothic catacomb of a cellar. All his guests are to come as leading figures of the Revolution. Maxime himself plays Saint-Just. Other friends play Danton, Marie Antoinette, Louis XVI ("virtually a nonspeaking role") and the Comte de Mirabeau. The butt of the party is to be Bitos (Donald Pleasence), the local deputy prosecutor...

Author: /time Magazine | Title: Theater: The Guillotine Complex | 11/27/1964 | See Source »

...white houses and for all its musty castles, can't touch the Hudson!" She met six sheiks but was unimpressed. "I prefer a nice Yale man." Sightseeing in Alexandria was on the dull side: "If anybody at a party ever asks me if I've seen a catacomb I can say yes, but that's about all I got out of the experience...

Author: /time Magazine | Title: Columnists: Yesterday's Globe-Trotter | 10/25/1963 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Next