Word: catacombs
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Tovarich explores new frontiers of boredom in an unmusical noncomedy. As a White Russian grand duchess posing as a housemaid in Paris in 1927, lovely Vivien Leigh does a Charleston to remember, and otherwise lights up the proceedings like a matchflare in a catacomb...
...Agent in Heaven." "St. Philomena" was "discovered" on May 24, 1802 in the catacomb of St. Priscilla on Rome's Via Saleria Nova as the skeleton of a 13-to 15-year-old girl with a badly fractured skull. On her grave was the cryptic inscription: LUMENA PAXTE CUM FI. The letters of the inscription were on tiles, and scholars came to the conclusion that they had somehow become misplaced-perhaps by an artisan who could not read-and should have been PAX TECUM FILUMENA. The presence of a glass phial containing the remains of what was assumed...
...soup-thick British accent, and floats out an occasional sowbelly vowel. Monk opened the Downstairs early in 1956, now emcees the show, also fills in when one of the two pianists doesn't show up. He is also busy planning the Downstairs evacuation to another, larger catacomb. Selecting the site will not be easy. Says Monk's man Matthews: "People like to think they're discovering us." The problem: finding a new cavern capacious enough for another 50 or so intrepid spelunkers. carefully crummy enough to make them think they have discovered something...
...below the dizzying spires of cinematic art (musicals, adult westerns), lower even than the swarming, unswept streets of cinematic commerce (cops-and-robbers films, childish westerns), lies a dank catacomb, for years the lair of wound-up scientists, unwound mummies, vampires, hyperpituitary apes, cat men, spacemen and skirt-chasing tyrannosaurs. Here budgets are low, actors obscure (Bela Lugosi is dead and Boris Karloff has graduated to TV) and taglines visceral: The Man Who Turned to Stone ("Incredible revelations from the blackest annals of medicine!"), Zombies of Mora Tau ("A tide of terror!''), Half Human ("Half-man, half-beast...
This hitherto unsuspected Jewish art may in turn have influenced the Christians of the catacombs. Except for representations of Jesus as the Good Shepherd, most of the earliest catacomb wall paintings illustrate scenes from the Old rather than the New Testament-scenes that may first have been rendered in the Dura synagogue's murals...