Word: cataloging
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Each year the EPA compiles a catalog of the toxic chemicals discharged into the environment. Congress ordered the accounting after a deadly cloud of chemicals escaped from a Union Carbide plant in Bhopal, India, in 1984, killing thousands of people--and after the company released a smaller quantity of an equally toxic gas from its plant in Institute, W.Va., less than a year later...
Fairies, as Stella Beddoe makes clear in a beguiling catalog essay, are so much a fixture of English literature that it's no surprise they infiltrated English painting as well. In the 14th century Chaucer, via the Wife of Bath, was already pointing out that the elf queen and her company had retreated from human contact "manye hundred yeres ago," but their popular life continued to be irrepressible. Shakespeare is full of them--A Midsummer Night's Dream, The Tempest. They pullulate as sylphs in Pope's Rape of the Lock; they appear in the verses of Drayton, Herrick, Milton...
According to Verba, Loker has provided thebasic funding for substantial renovations to thelibrary, which has seen a significant increase inuse in recent years, due in part to the creationof HOLLIS, the on-line catalog system...
...what of the work? Varnedoe's catalog essay bears the title "Comet: Jackson Pollock's Life and Work," which fits the eclat and brevity of Pollock's appearance. But comets eventually swing back on their orbit and return, whereas Pollock was a singular and not a cyclic event, more like a meteor that plows into the earth and wreaks havoc on its climate, filling art's air with fallout. Artists have been defining themselves and their work against Pollock ever since. Yet most of his influence was indirect. Pollock's mature style--based on dripping and flinging skeins of paint...
Other influences besides Benton converged on him as well: the Mexican muralists of the '30s, especially Siquieros and Orozco; Picasso; Surrealism; Kandinsky; tribal art. As Varnedoe points out in his admirable catalog essay, if the notion that Pollock was some sort of cowboy isn't true, neither was he any kind of Indian. He'd seen Native American ceremonies and pictographs as a kid in Arizona, but his attachment to Indian art as a source of "primitive" authenticity came from museums and exhibitions in New York and was confirmed by other mentors he was acquiring, such as the painter John...