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...Midwestern frame," and Sandcastle is doing well with a collection intended to "minimize common figure problems like heavy thighs, tummy bulge and wide hips." A Gottex suit that covers up lower-abdomen paunch with a strategically placed cummerbund has drawn more than 15,000 orders through the Spiegel catalog alone...

Author: /time Magazine | Title: Fashion: Back From The Bikini Brink | 7/17/1989 | See Source »

...given up on department stores. Says Tess Goodier, 36, of Vienna, Va., mother of two young children: "It's so much easier than going over to J.C. Penney and chasing after my wandering kids." While the new catalog kings have much in common, each is trying to carve out its own identity...

Author: /time Magazine | Title: The Chic Is in The Mail | 7/17/1989 | See Source »

...largest of the three, Lands' End posted revenues of $456 million for the twelve months ending last January, an increase of 35% from the previous year and not far from the $580 million in sales racked up in 1988 by L.L. Bean, still the captain of the sportswear-catalog industry. Lands' End, launched in 1963 by Chairman Gary Comer, then a 36-year-old advertising copywriter at Young & Rubicam in Chicago, sells moderately priced, well-made staples. Among them: oxford-cloth shirts ($19.50); cotton twill skirts ($32.50); and silk foulard ties ($19). One of the company's specialties...

Author: /time Magazine | Title: The Chic Is in The Mail | 7/17/1989 | See Source »

...First Amendment has never entertained a blush factor. Free artistic expression is broadly guaranteed. The question is whether the right of free expression carries along with it the privilege of federal subsidy. New York Senator Alfonse D'Amato, who tore up the Serrano catalog on the Senate floor, concedes the artist's "right to produce filth" but adds that "taxpayers' dollars should not be utilized to promote...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 7/3/1989 | See Source »

...meeting in his office, Yates confronted NEA critic Armey with a Picasso painting of the Crucifixion, which offended many people in the 1930s. Armey admitted that he was not offended by the Picasso, but did not concede anything about Mapplethorpe. Armey warned that if the Mapplethorpe catalog is plunked down on the table during the debate on NEA funding, its budget would be "blown out of the water...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 7/3/1989 | See Source »

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