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Does Pop still live? Marco Livingstone, who organized the show, believes so. "Pop has lasted," he writes in the catalog, "because of its radical redefinition of the attributes of the work of art . . . In assaulting conventions of taste by subjecting their own sensibility to that of their sources, ((Pop artists)) have in turn modified our own perceptions and created an indelible record of the spirit of our time." It's hard to believe that anyone in 1991 could still speak of "assaulting conventions of taste," since Pop's media-fixated gaze has actually become the main convention of taste...

Author: /time Magazine | Title: Art: Wallowing in The Mass Media Sea | 10/28/1991 | See Source »

Last December, my brother came up with a brilliant gift idea. I think he found it in a Sharper Image catalog. It was similar to the Fly Gun, but a little more technologically advanced. It was the Fly Gun of the Nineties...

Author: By Joanna M. Weiss, | Title: Peaceful Coexistence | 10/24/1991 | See Source »

Upon voter approval of the policy, the council would "call together all city services to catalog all programs that exist, identify significant gaps and find ways to fill those gaps immediately," Cyr said...

Author: By Melissa Lee, | Title: Cambridge Voters to Decide Fate of Right-to-Food Proposal | 10/8/1991 | See Source »

...catalog is massive, with 23 essays by various hands -- a long symposium. The '20s, Clair points out, were the first "name" decade in cultural history. In an older and slower-changing Europe, cultural periods were identified with long reigns -- the age of Pericles, Louis XIV. But now, in a time of fantastically accelerated communications and stylistic shifts, what Clair calls "the tyranny of the short term" begins: rapid identifiable packaging in culture...

Author: /time Magazine | Title: Art: Putting A Zeitgeist in a Box | 10/7/1991 | See Source »

This illusion, largely abandoned by European intellectuals, remains dogma in American academe, and one quails to think what torrents of Marxist catalog cant might have drowned this exhibition if it had been done in the U.S. But there is little jargon in the catalog of "Age of the Metropolis" and none in the show itself; it is an intelligent wide-screen movie, generous in spirit, provocative and full of good things...

Author: /time Magazine | Title: Art: Putting A Zeitgeist in a Box | 10/7/1991 | See Source »

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