Word: catalunya
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...written all over its plan and building." From the small Roman colony known as Barcino founded circa 15 A.D., to the present Olympic-banner festooned metropolis, Hughes carefully recovers the past through an anecdote-laced archaeology. What surfaces is a sense of Barcelona, and the region known as Catalunya which surrounds it, as a distinct cultural and political entitywithin the much larger Iberian peninsula...
Central to this sense of cultural and political uniqueness is the Catalan language. As Hughes observes, "In Catalunya, language and politics are entwined , interwoven, inseparable." During the dictatorship of Franco, in fact, one way of stamping out any leftover feelings of rebellion was to ban the public use of Catalan. When writers could not be published in Catalan, they used it as a gesture of political defiance...
...from these humble origins that the city first arose. While the rest of Spain speaks Castilian, Barcelona and Catalunya claim Catalan as their own; its existence as a language apart bolsters the region's own sense of political and cultural identity. The cultivation of the land by the region's first farmers also aided this nation-building process. Even today, as Hughes readily informs us Barcelona is "more a city of capital and labor than of nobility and commerce," and "its democratic roots are old and run very deep...
Barcelona was the place where Picasso studied, where Salvador Dali grew up, and out of whose deeply conservative traditions of family and rural life Joan Miro, Catalunya's greatest painter since the 14th century, was able to fashion an art of the most radical poetry. And the best buildings constructed anywhere in Spain between 1860 and the outbreak of World War I were all in Catalunya, and mostly in Barcelona. The combined talents of its turn-of-the-century architects made it La Ciudad de los Prodigios, or the City of Marvels, as the Catalan writer Eduardo Mendoza titled...
...fell to Domenech, a man obsessed with the history of Catalunya, to % design what may be the most extreme Art Nouveau building in Europe. This is the Palau de la Musica Catalana (1905-08). It was built for the Orfeo Catala, a choral-music society. Pablo Casals and Montserrat Caballe, both Catalans, began their careers here. From the mosaic-sheathed ticket office to the stupendous inverted bell of a stained-glass skylight in the auditorium, from the sculpted Valkyries riding across the proscenium arch to the encrustations of ceramic roses (each the size of a cabbage) on the ceiling...