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...seeing. Locally, Shirley, Temple turns in a creditable performance which should boost her stock in undergraduate eyes. Although this department can see no relevance whatever in the title, "Just Around the Corner" gives audiences at the University Theatre eighty minutes of diverting plot and catchy songs, of which the catchiest is "I Like to Walk in the Rain." Amanda Duff enables Charles Farrell to make a dignified come-back, with the nimble feet of Bill Robinson and the Bert Lahr baritone helping things out. "Arrest Bulldog Drummond" is a satisfactory companion piece...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 1/20/1939 | See Source »

Plymouth, Chrysler's popular-price car, looks like Chrysler, De Soto and Dodge, has a 114 in. wheelbase, longest any Plymouth ever had. Its five Roadkings ($740), eight DeLuxes ($805), all turn up 82 h.p. Catchiest number showing is the convertible coupé, with a top that slides magically into place or back at the twist of a dashboard knob. Secret: intake vacuum power...

Author: /time Magazine | Title: Business: Four-Wheel Debutantes | 11/14/1938 | See Source »

...sworn duty. The result for the first few reels is bright, well-ordered mirth from the gag-laden pens of Scenarists Gene Towne, Graham Baker and Allan Scott. But when the pens run dry, the authors resort to paleo-Chaplin antics like beery hiccups, pratfalls in a skating rink. Catchiest Jerome Kern tune: You Couldn't Be Cuter...

Author: /time Magazine | Title: Cinema: Also Showing | 4/11/1938 | See Source »

...series of his own. Wood creatures have been animated with the same type of clever personalities that birds and animals acquire in the Disney shorts. Songs, dialogue in verse, dialogue in prose and silent sequences with incidental sound and music have been worked into a harmonious pattern. Catchiest tune: Hi-Ho, as the dwarfs trudge home from work. Tunesmiths: Frank Churchill (Who's Afraid of the Big Bad Wolf) and Larry Morey. Technicolor is used with simpler and stronger effects than ever before in motion pictures, giving a vital, indelible reality to the fairyland locales...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

Except for the Martha interlude, the music is the last complete score done by the late George Gershwin. (He was working on tunes for the Goldwyn Follies when he died last summer.) Brother Ira Gershwin did the lyrics. Catchiest number: Nice Work...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 6, 1937 | 12/6/1937 | See Source »

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