Word: catenaccioã
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Dates: during 2004-2004
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...Catenaccio??s primary work is encompassed by State of the Art, a program she initiated her junior year to showcase student artists. “There are so many talented artists…that don’t have the oppurtunity to show their artwork in a context where it’s for its own sake rather than representing some other social issue,” she says...
...Catenaccio??s solution was to put on six shows in the next year and a half. She tried to avoid showing only her friends work, but adds that “it’s kind of impossible…in VES you become friends because you’re interested in their work.” She says she was also “contstantly trolling the Carpenter Center and asking VES professors who their best students were.” Her position on the Advocate’s Art board helped as well...
...Catenaccio??s boyfriend was slated to take over the Collective. “I kept pestering him to let me help,” she says. When he stopped showing interest in the program, Catenaccio contacted some students in Quincy, and with the help of her now co-director Daniel H. Senter ’04, resuscitated the Collective...
...contast to Catenaccio??s very particular curating, “the Collective is much more Communist,” she says. “It glories in enthusiasm for music over talent, though considering the musicians’ background and training, they’re really all quite good...
...Catenaccio??s plans for the future remains unclear. She hopes to attend architecture school after spending some time in England. As for the future of State of the Art, she says she hopes that the two sophomores taking over the Collective will continue it as well...