Word: cathedralã
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Dates: during 2001-2001
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...traditional crucifix, he painted a series of diamond-shaped canvases with a dense, rich red paint. Shades of yellow underpainting shine through the red pigments in spots, making his canvasses positively luminous. The Cathedral of Padre Pio rejected Richter’s works as being too abstract, but the Cathedral??€™s loss is Venice’s gain. When viewed in tandem with Titian’s Assunta—located in the nearby Friary—Richter’s Rhomba appears as the abstract embodiment of a truly divine light...