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She is, in fact, so conscious of her lack of "magnificence" that she is instantly suspicious of the attentions of Morris Townsend (Ben Chaplin). Morris has no money and a shady past, but all of New York acknowledges his rare good looks and, even rarer, his lively charm and sense...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: An Heiress Comes Into Her Own | 10/10/1997 | See Source »

Which, of course, she does, but Catherine doesn't question his motives. She wagers all she has on the purity of Morris's love, while Morris himself begins a protracted, ugly rivalry with the skeptical Dr. Sloper. As Morris tells Catherine, "I stake my pride on proving to your father...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: An Heiress Comes Into Her Own | 10/10/1997 | See Source »

For his part, Dr. Sloper whisks Catherine off to Europe, primarily to distance Catherine from Morris, but also in pathetic pursuit of Morris's globe-trotting, foreign-bred charm. The tragedy of Washington Square is that, by the end of the film, the only shadow of love that survives is...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: An Heiress Comes Into Her Own | 10/10/1997 | See Source »

The incongruities between her persona and the period, however, serve to reinforce the essential awkwardness Catherine Sloper feels in her own environment. The skittish, chameleon-like quality that has kept Leigh from being a star is perfectly suited to Catherine. She almost disappears inside her own scenes until her misery...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: An Heiress Comes Into Her Own | 10/10/1997 | See Source »

Washington Square centers around Catherine Sloper, a young woman whose individual identity is constantly undermined by her relations to the men around her. Her father sees in Catherine the ghost of his wife, who died in childbirth, and thus continually perceives her as a disappointment, a symbol of his own...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: Ms. Holland Goes 19th C | 10/10/1997 | See Source »

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