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Missing are the witty repartees of the Hepburn-Grant tradition, the unique complications that give life to the standard chase routines. It is funny when Catherine Deneuve tries to keep her stolen painting afloat while swimming to shore from a sinking ship, but not nearly as funny as it was...

Author: By Joellen Wlodkowski, | Title: Screwballing Amidst the Mango Trees | 7/19/1977 | See Source »

Noelle faithfully waits for Douglas but he never returns and she learns that what for her was true love was for him a casual affair. Hell hath no fury like a woman scorned and Noelle accordingly swears vengeance. Progressing from bedroom to bedroom, Noelle eventually becomes a famous actress or...

Author: By Margot A. Patterson, | Title: This Side of Boredom | 7/6/1977 | See Source »

The others fare no better. The screenplay by Herman Reuscher and Daniel Taradesh is so bad as to be ludicruous, and destroys any chance that a creditable performance could be salvaged from this trash. One gem, an example of Rouscher and Taradesh's efforts at alliteration and their aspirations to...

Author: By Margot A. Patterson, | Title: This Side of Boredom | 7/6/1977 | See Source »

THE RHODES SCHOLAR. It took the British Parliament to break Cecil Rhodes's will, but this year, for the first time, 13 of the 32 American Rhodes scholars are women, and one of them is Catherine Burke, 22, a Middle Eastern specialist at the University of Virginia. She wrote...

Author: /time Magazine | Title: Education: Let's Hear It from the Class of '77 | 6/13/1977 | See Source »

LOVERS LIKE US brings together Yves Montand, as a brilliant perfumery chemist playing hooky on a Venezuelan island, and Catherine Deneuve, as an ex-nightclub hostess on the lam with a stolen Toulouse-Lautrec. She nearly gets the chemist killed in a highway chase, invades his island and sinks his...

Author: /time Magazine | Title: Cinema: Quick Cuts | 6/6/1977 | See Source »

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