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Like the dreamy teen of her debut feature Somersault, who makes a scrapbook collage of Mt. Fuji above a forest of girlie-magazine nudes, Cate Shortland has an eye for kooky detail. At her local caf? in Sydney's Bondi, a bowl of green marinated pears first captures her imagination, then a seaplane that seems to skim the nearby headland. "It's so low - it's amazing," the 36-year-old says with girlish wonder. "Must be going to land on the harbor." Then the firm hand of the director takes over. "I was wondering if we should move...

Author: /time Magazine | Title: Love Under the Glass | 8/30/2004 | See Source »

...glockenspiel, perhaps symbolizing Worthington's character Joe. But it's not all so harmonious. For Rough Sex, Decoder Ring provide a jarring guitar riff to accompany one of Heidi's teenage tumbles. It lasts barely three minutes. Elsewhere in Somersault, the frisson between image and sound is pure cinema. "Cate's a real lover of music and we're real lovers of film," FitzGerald says of their match made in moody heaven...

Author: /time Magazine | Title: Snow Dome Symphonies | 8/30/2004 | See Source »

...perfect American, period. He was rich. He was romantic. He was fearless. And as an inventor and entrepreneur, he was one of the past century's great visionaries. It is this Hughes, played by Leonardo DiCaprio, who dominates The Aviator--recklessly crashing planes and cars, heedlessly wooing Katharine Hepburn (Cate Blanchett), among others...

Author: /time Magazine | Title: Fall Preview | 8/30/2004 | See Source »

WING MAN In a holding room under the stage, Edwards watches Kerry introduce himself to America. Beside Edwards, his daughter Cate shares the couch with Kerry's daughter Vanessa. In the chair is Kerry's sister Diana...

Author: /time Magazine | Title: 2004 Campaign: Ready For His Close-Up | 8/9/2004 | See Source »

...those unable to catch Cate Blanchett in the Sydney Theatre Company's new production of Hedda Gabler - and with only a handful of standing-room tickets available each night for the remainder of the season, that means most people - there is a consolation: this Hedda is horrible, and Blanchett's performance is terrible. Horrible in the sense that, 114 years after it was written, Henrik Ibsen's play, about the attempts of a general's daughter to transcend her loveless marriage to a feckless history professor, is as misanthropic as ever. And terrible, in that Blanchett's performance inspires...

Author: /time Magazine | Title: To the Limit | 8/4/2004 | See Source »

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