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Word: cauldron (lookup in dictionary) (lookup stats)
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Paying a visit to the sorcerer, he finds himself in a cavernous chamber, a fear-inspiring scene buttressed by the lurking form of the sorcerer. "What do you want," bellows the shadowy figure as he stirs a bubbling cauldron. "I'll take anything I can get without a prescription," whimpers the puckish Allen...

Author: By Henry W. Mcgee iii, | Title: Giving Dr. Reuben the Finger | 9/25/1972 | See Source »

Polanski takes occasional excursions into outright fantasy, as when Macbeth has a feverish dream following his second meeting with the witches. But the scene is visually uninspired and mechanically clumsy. Faces and images swirl up out of the hags' cauldron, spin about, dissolve, disappear, as if in some hybrid of hallucinogenic nightmare and the kind of antique special effects that looked awkward over 25 years ago in Hitchcock's Spellbound...

Author: /time Magazine | Title: Cinema: Landscapes of the Mind | 1/10/1972 | See Source »

...this sequence of action and reaction was common knowledge among prisoners, so was it becoming better understood by Jackson's family. Largely, this understanding was the result of George Jackson's growing respect and empathy for his father as George himself became more aware of the contours of the cauldron in which Robert Jackson had been immersed. This empathy and respect is reflected in the change of tone in Jackson's letters to his father. Gone is the assumption of superiority that had characterized much of the correspondence he sent to his father while Jackson was undergoing his purgation. Instead...

Author: By Tony Hill, | Title: If We Must Die | 10/27/1971 | See Source »

That statement was the fountain of his disbelief. He had known Jackson in the cauldron of the joint, and had observed his responses. To believe that Jackson would have tried to escape from the Adjustment Center was an act of faith, a willful suspension of disbelief that Fred was not willing to perform...

Author: By Tony Hill, | Title: If We Must Die | 10/27/1971 | See Source »

...music, from the forms of homophony, to sonata, to series. The classical artist does not preoccupy himself with the potentially paralyzing self-conscious effort of contemporancity. All time is present to him at all moments because he sees the world as formal process rather than as an enigmatic cauldron perfused with subjective data. The classical artist's work is to eschew subjectivity in order to illumine in form what changes and does not change in the life...

Author: By M. CHRIS Rochester, | Title: Igor Stravinsky Retrospectives and Conclusions | 5/20/1970 | See Source »

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