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...hands of a lesser director than Gregory La Cava (My Man Godfrey, Stage Door) this theme might well have turned sour. By superb cinema artistry he raises it to the level of subtle, entertaining comedy without losing sight of its basic problem. That tour de force is a rare cinema triumph...

Author: /time Magazine | Title: The New Pictures, Sep. 15, 1941 | 9/15/1941 | See Source »

...vehicle for the waxing dramatic talents of Ginger Rogers, The Primrose Path is something of a tumbril. This is too bad for serious Cinemactress Rogers and Director Gregory La Cava, who has produced such topnotchers as Stage Door and My Man Godfrey...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 1, 1940 | 4/1/1940 | See Source »

Flagship of the British Grand Fleet in 1914 was Jellicoe's Iron Duke. She lay anchored last week in Scapa Flow at almost the exact spot near the Calves (rocks) of Cava where Reuter's ships went down. Four days after Prien's U-boat raid, Nazi planes in five waves swept over the Flow plunking bombs. They approached from the north over the central port of Kirkwall, where 60 neutral ships waiting to be searched for contraband saw them, and from the south over Duncansby Head and John O'Groat's, where British fighters...

Author: /time Magazine | Title: AT SEA: Scapa & Forth | 10/30/1939 | See Source »

Fifth Avenue Girl (RKO Radio) rings an agreeable change on one of the theatre's sturdiest cliches: that nothing can untangle a snarled up family so effectively as a nervy outsider who plumps into its midst. Director Gregory La Cava, who tried it with a butler in My Man Godfrey (1937), this time does it in distaff with a working girl. When rich Mr. Borden (Walter Connolly) is stood up by his wife and family on his birthday, he wanders gloomily into Central Park, finds himself talking about the seals to pretty young Mary Grey (Ginger Rogers). Discovering...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 28, 1939 | 8/28/1939 | See Source »

...tops in all respects. As they acquire prestige, directors acquire specialties. Capra's is a certain kind of peculiarly American, peculiarly kinetic humor, in which the most individual characteristic is an extraordinarily adroit and constant use of "business" to accent the comic line. Unlike Gregory La Cava (Stage Door) or Leo McCarey, whose The Awful Truth took top honors for direction at the Academy this year, Capra has no interest in jokes whose appeal is touched with neuroticism. He is sufficiently versatile to have made a successful picture from a story as fantastic as James Hilton's Lost...

Author: /time Magazine | Title: Cinema: Columbia's Gem | 8/8/1938 | See Source »

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