Word: cavallo
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...where characters, unable to reveal themselves, become two-dimensional, walking enigmas. The role of Laura, the beautiful go-between, demands a constant aura of intensity from actress Laura Morante. But the part written as a never-relaxing alternation between grief and sexual passion, vctimizes her with its unplayability. Victor Cavallo as Adelfo, the worker-priest who feeds the pigs, also suffers from the flat script, which forces him to stay calm and distanced, his religious acceptance erecting a rigid, unbroken stoicism to block him from the audience. With such starkness, Bertolucci may be striving to create a modern morality play...
...industry and instinct have made him a millionaire. But as time drags on, and Primo realizes that meeting the ransom demand will mean closing his factory, he begins to believe that everyone around him - his son's girlfriend (the darkly sensual Laura Morante), a radical worker-priest (Victor Cavallo), maybe even Primo's patrician wife (Anouk Aimee) - is involved in the abduction. Conspiracy or paranoia? Primo says: "I prefer not to know." And the film takes no sides, instead allowing both protagonist and moviegoer to entertain each terrible possibility...
...frustratingly hermetic as ever. But in terms of his work, the notes are priceless. They shed little new light on his painting, but this is made up for by the richness of detail in Codex Madrid II on his great sculptural project, the equestrian bronze of Francesco Sforza- Il Cavallo, as Leonardo called it, the full-size clay model for which was shot to rubble by French crossbowmen after the conquest of Milan in 1500. It would have been the largest bronze group in recorded history, 23 ft. high, cast upside down in one continuous pour...
...PAUL CAVALLO...
...Curator Cavallo is fascinated by the affinities between the clothes and the architecture of the same period. He is not concerned with analogues of shape-stovepipe hats and railroad smokestacks, skyscrapers and sack dresses-but the way a period's characteristic modes of thought and feeling similarly influence the look of a building, or a table, or a woman...