Search Details

Word: caved (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...desert. They come addressed to Operation Desert Shield, APO New York, 09848-0006. They are parcels of home shipped into a zone that is nearly as alien and inhospitable as space -- temperatures unnatural, planet sand-colored to the horizon, days blinding, nights full of stars. Home, built around the cave and fire pit, belongs to a more Teutonic, cold-weather scheme of things...

Author: /time Magazine | Title: Essay: The Bright Cave Under the Hat | 12/24/1990 | See Source »

...home. We fly in and out of it on mental errands. The highly developed spirit becomes a citizen of its own mobility, for home has been internalized and travels with the homeowner. Home, thus transformed, is freedom. Everywhere you hang your hat is home. Home is the bright cave under...

Author: /time Magazine | Title: Essay: The Bright Cave Under the Hat | 12/24/1990 | See Source »

...then there was the dirt. In the late 19th century, when curators were presumably less anal than they are today, dirt was considered a positive adjunct of museum art; it lent mellowness and venerability. Ryder's studio was filthy, a pack rat's cave. "It is appalling, this craze for clean-looking pictures," he once complained. "Nature isn't clean." To distinguish between the dirt, the dust, the brown varnish, the pigmented glazes and the goo underneath and then to stabilize the surface to preserve some notion of Ryder's intentions have always been a conservator's nightmare...

Author: /time Magazine | Title: Art: America's Saintly Sage | 11/26/1990 | See Source »

Harvard's collection of Tun-huang wall paintings and sculptures in the Sackler Museum should also be considered an important case in the repatriation debate. The pieces were taken from Buddhist cave temples in northern China by Harvard archeologist Langdon Warner in a 1920 expedition. The ancient caves, now preserved by the Chinese government, are marred by gaping holes in the walls where the wall paintings and sculptures used...

Author: By Laura A. Dickinson, | Title: Ending Art `Trusts' | 11/10/1990 | See Source »

Many similar cases exist at Harvard museums and at museums around the world. Certainly the categorical return of every work of art to its country of origin is absurd. But some art objects, such as the sacred material of the Omaha, the Elgin marbles and the cave paintings of Tun-huang, are integral to their original culture...

Author: By Laura A. Dickinson, | Title: Ending Art `Trusts' | 11/10/1990 | See Source »

Previous | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | Next