Word: caveness
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...haunted orphanage, a mass murder gone awry, a hidden basement, a kidnapped child, and an eerie, ghost-filled cave. Think this batch of scenarios will provide the basis for the next unbearably dull horror flick? Think again. “The Orphanage,” directed by Spanish newcomer Juan Antonio Bayona, is frightening, no doubt. The gloomy tone present throughout the entire film, the camera movements that crawl creepily around edges and corners in anticipation of jolt-inducing scenes, and spooky childhood games and lullabies will provide thrill-lovers exactly what they seek. But viewers will also come away...
...treated for SPD can't maintain an upright position at a desk; some are so sensitive to touch that they shriek when their fingernails are trimmed or if they get oatmeal on their face. Sounds and smells can be overwhelming. When lawn mowers roar outside the home of Lizzie Cave, 4, a STAR child, she's been known to vomit...
...inclined to wait 18 years, so they spring for therapy that has only anecdotal validation. Treatment is highly individualized, but much of it involves guiding the kids to do more of the things they don't do easily and respond less to the things they can't abide. Lizzie Cave works on noise sensitivity by listening to a calibrated series of audiotapes. Jacob Turner, 3, improves his tolerance for food textures by playing with gooey concoctions and allowing a therapist to put them ever nearer his mouth...
...with pathos, as much for monster as for man. Grendel is a horror, a plague, to Hrothgar's kingdom, but he seems plaintive, lonely, in his cave. He complains to his mother in some Scandivanian tongue, as if Gollum had shown up in a Bergman film. Up close he has the physiognomy of Rondo Hatton, the actor whose acromegalic face got him roles as villains in ?40s mysteries and horror films. Grendel too seems typecast for villainy, but maybe the humans just don't understand how close he is to them. Why, they might...
...Americas, almost incredibly low tech. They had fire, sticks and stones, and little else. Yet their traditional oral culture is of great antiquity; their structure of myth is remarkably coherent and continuous across millenniums, not just centuries; and as anyone can see who visits some of the sacred cave sites scattered across northwestern Australia, their traditions of rock painting--animals and fish of every kind, spirit figures and the imposing, fearsome effigies of the great Rainbow Serpent--are as impressive as anything in the caves of Lascaux or Altamira and tens of thousands of years older...