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Suddenly a fireman heard a thin voice crying for help as though from deep in a cave. Dana Bradley, 20, lay in the darkness of the basement under a pile of cement girders, bleeding and her body dangerously cooling in a foot of water. But when a team of four fire fighters found her, they faced one harsh decision after another. That southwest corner of the building was highly unstable; there were girders smashed everywhere, with hundreds of tons of the remaining building above them. Bradley was lodged in a space so small that the doctors could scarcely reach...

Author: /time Magazine | Title: OKLAHOMA: CITY THE BLOOD OF INNOCENTS | 5/1/1995 | See Source »

Sheinberg, a brassy American entrepreneur, wanted to diversify his business, but the conservative Japanese refused. Like Godzilla in hibernation, Matsushita sat in its Osaka cave, occasionally emerging to roar No! "Sid would have bought Virgin Records, he would have bought nbc," says Irving Azoff, MCA's former music boss. "He was really frustrated that the Japanese wouldn't let him do any of that." The brokered marriage was soon looking as vulnerable as Lyle Lovett's to Julia Roberts. And Ovitz, the canny matchmaker, was apparently unwilling or unable to save...

Author: /time Magazine | Title: WHATEVER EDGAR BRONFMAN WANTS | 4/17/1995 | See Source »

...facts, ma'am, a fogie's guide to Xanadu. Grinspoon has collected and synthesized a great deal of information, and he gives ample to time to the anti-weed agenda. The author quotes a few scary tidbits from the FBI: "He [the user] becomes a fiend with savage or 'cave man' tendencies. His sex desires are aroused and some of the most horrible crimes result..." Horrible crimes, not the least of which were Dingo boots, halter tops and the Average White Band...

Author: By Daley C. Haggar, | Title: How the Grinch Stole Cannabis | 3/9/1995 | See Source »

...multiplicity of hidden messages. The image of the cigarette/ phallus remains central, perhaps suggesting Merle's own doubts about his manhood. As Merle stands, patriachal, yet despairing amidst the rolling fields of tobacco, the camera shifts once again to an image of sexual negation. The Barn is a Keatsian cave of forlorn despair and homosexual repression, suggesting void on both a sexual and an ontological level. The only hint of resolution comes in the form of conversion. All seems resolved as the tobacco is mysteriously rendered into phallic triumph in the form of the omnipresent cigarette...

Author: By Daley C. Haggar, | Title: Why is Merle Haggard? | 3/9/1995 | See Source »

...find the newly discovered cave paintings artistically far below those of Lascaux and much less vivid. Something is wrong. In my opinion they are false...

Author: /time Magazine | Title: Letters, Mar. 6, 1995 | 3/6/1995 | See Source »

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