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...reimagined version replaces the nightmare state with the nightmare corporation. Michael (Jim Caviezel) is an analyst for Summakor, a company that collects surveillance data. After quitting his job, he wakes in a strange desert, lost and with scant memories of his past. Finding his way to the Village, he meets its superficially happy--but deeply anxious--citizens and Two (Ian McKellen), the drolly creepy leader, who is inordinately interested in Six's memories. Six suspects that the Village powers want to steal his mind. "We might," Two purrs. "But we will always give it back...

Author: /time Magazine | Title: The Prisoner Review: A Pretentious Reimagining | 11/23/2009 | See Source »

Emphasis on dreamlike. McGoohan's Six knew that he was a captive; he knew where he came from, and he and the Villagers remembered details of the outside world. Caviezel's Six simply materializes. His past comes to him, and us, in a series of disorienting flashbacks (or are they?) of life in Manhattan that act as a parallel plot. He faintly recognizes people he meets from elsewhere, but they don't recall it; they don't know what New York is or recognize names like Darwin and Plato. The official belief is that there is no outside world: "There...

Author: /time Magazine | Title: The Prisoner Review: A Pretentious Reimagining | 11/23/2009 | See Source »

...ambitious, sinister narrative, but often a disjointed and pretentious one. If it's not always clear what's dream and what's reality in the Village, it's also not always clear what's complexity and what's affectation in The Prisoner. And it doesn't help that Caviezel's blank, charmless performance gives us no real anchor or connection with his quest...

Author: /time Magazine | Title: The Prisoner Review: A Pretentious Reimagining | 11/23/2009 | See Source »

...GIBSON co-writes "naked, intimate, raw" song on girlfriend's debut album. It's about torturing Jim Caviezel...

Author: /time Magazine | Title: Pop Chart | 6/29/2009 | See Source »

...decade, he has also transformed himself from a strict stage thespian - highly rated, seen by very few - into a big screen star. This year, he can be seen on the stage around Britain as Estragon in Waiting for Godot, and on television in the U.S. and Britain opposite Jim Caviezel as the villainous No. 2 in a remake (partly shot in South Africa) of the 1960s British cult series, The Prisoner. He combines high art and mass appeal once more next year when filming begins on The Hobbit, a fourth movie adaptation of J.R.R. Tolkien's books, in which...

Author: /time Magazine | Title: Ian McKellen: The Player | 3/19/2009 | See Source »

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