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...natives are trudging back to their shops and cave homes-mostly the very young and the rather old, mothers with suckling babes, grandmothers stilting by on bound feet, greybeards leaning on staves, small fry skipping and chirping as though their world hadn't changed...

Author: /time Magazine | Title: Foreign News: A WALK IN YENAN | 4/21/1947 | See Source »

...sent many men to their death, but somehow always managed to dodge it himself. He lost a hand in World War I, and lived. He stopped a bullet with his head in World War II and lived, recovering miraculously after he had been abandoned as dead in a cave near Bengasi. Yet his most famous dealings with death occurred in the infamous days between the two wars, when he organized the murder of Giacomo Matteotti, the brilliant Socialist deputy who tried to stand up against the Duce...

Author: /time Magazine | Title: ITALY: So Long Ago | 4/14/1947 | See Source »

...Cave of the Heart, done to music by Samuel Barber, Choreographer Graham stalked deep into dark Freudian corridors. Using the Medea legend as a starting "state of mind," she did a dance "of possessive and destroying love, a love which feeds upon itself and, when it is overthrown, is fulfilled only in revenge." Actually, the dance spoke for itself, and well: nobody needed program notes to interpret her hard, sure movements of jealous hatred...

Author: /time Magazine | Title: Music: The Priestess Speaks | 3/10/1947 | See Source »

...mires under a cliff that bears the washed-out legend, "Repent." Mildred gives herself satisfactorily to Juan in a barn and Pritchard, repulsed by Camille, reverts to the Pleistocene by outraging his wife in a cave. What the symbolism of repentance has to do with the characters is not made clear. But readers aware of Steinbeck's great reputation and considerable gifts will feel that he has cause to repent as a novelist...

Author: /time Magazine | Title: Books: Repent! | 2/24/1947 | See Source »

...first print of Picasso's Bull, at the Museum, looked solid and sensible enough to illustrate a children's picture book. The sixth stage of the same lithograph was an airy arrangement of less than a dozen thin lines which looked as innocent as a Cro-Magnon cave painting -but less knowing. Another series of nine lithographs, entitled Two Figures, began as a rather sweet and sentimental pair of nudes. In the end they emerged as a nightmare vision of two twisted and highly ambiguous beasts (see cuts for steps 1, 6 and 9). Frank Sinatra himself never...

Author: /time Magazine | Title: Art: That Man Is Here Again | 2/10/1947 | See Source »

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