Word: cc
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Dates: during 2000-2009
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...CC: I liked how you always played it from the inside out, as a guy that had nothing to depend on. That was amazing, what you brought to the mask, because it was like the guy was moving his hands more, was a little more needy, and it was riveting. Amazing...
...CC: We were definitely looking for something that we could do together, and we both loved Abre Los Ojos (Open Your Eyes). It’s just a great movie and a great jumping-off point for asking questions in a different way. I’m not a fan of movies where something happens physically and the whole movie is about the affliction. Sometimes they’re good, but it’s hard to get past the affliction into the story. This one, it just felt like part of the character, and Tom plays it that...
...CC: When we were making the movie, Rain Man was on TV, and I came home and watched it. Rain Man really kicked my ass, because Barry Levinson is so good at creating a world of characters where every little twitch matters. And those are my favorite—movies that remind you that everything counts, that people watch everything, and that they see so much more than you’d ever dream they would. And in the same way, every little frame in this movie is packed with stuff, and everything the characters say matters. Any movie that...
...CC: I’m working my way up the list [laughs all around]. I started at the top, what...
...CC: We played a lot of that music while we were making it. That’s when the movie starts to get a feel. We listened to Radiohead and “Kid A” constantly, especially here in New York. And then the band Sigur Ros, from Iceland. Sigur Ros had never given their music to a movie, except I think a small movie in Iceland, and they let us use their music. That really influenced the movie. We couldn’t find the right piece of music to end the movie with, and I went...