Word: cecilia
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Dates: during 1990-1999
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...ABOUT MY MOTHER A Madrid nurse (Cecilia Roth), luxuriating in grief, goes to Barcelona, where she learns to live again by tending to creatures even more wounded than she. Pedro Almodovar's screwball melodrama has all the kooky verve of his early comedies, but with a depth and life-enhancing warmth that proves Spain's bad boy has reached a vibrant maturity. If this movie doesn't touch your heart, consult a cardiologist. You may be missing something...
...with dramatic cinematic technique as the camera in close focus follows an IV line. The sense of determinism continues to operate as an amorphous force in every subsequent scene. The next shot is a scene in an impeccably furnished apartment in Madrid. Manuela, an organ-transplant nurse played by Cecilia Roth (a luminary of the foreign film industry, with an uncanny ability to evoke tears) sits watching All About Eve with her son, Esteban (Eloy Azorin). Esteban is turning 17 the next day, and his eyes seem bright with literary genius and joie d'vivre. The relationship between mother...
...trip was a tonic for him; this film, for all its verbal and emotional buoyancy, touches a depth his earlier work danced around, like revelers on a volcano's edge. Mother begins by painting an idyll: of Manuela (Cecilia Roth), a nurse who works in her hospital's organ-transplant unit, and her darling son Esteban (Eloy Azorin). Manuela is the mom every gay, or simply sensitive, son would adore. She watches All About Eve with him, gives him a Truman Capote book for his birthday, takes him to a production of A Streetcar Named Desire. He is a sweet...
...only character in the play to have found peace and happiness is Simms, the victim of the blackmail scheme, superbly played by Michael Davidson '00. There is a wisdom and depth to Davidson's voice that grounds the entire production. But the performance by Catherine Gowl '02 as Cecilia, Vinnie's lover and Simm's protege in the art of coming to terms with lost dreams, steals the show. Hers is a part made more of gestures than of words, and her moments of stillness and transformation set the standard by which the other electric moments in the play must...
...normally stone-faced critic at the Cannes Film Festival after seeing this vivacious screwball melodrama, which won Almodovar the Best Director prize. Hot tears are an apt response: the two most innocent characters die; the others grieve and carry on womanfully. At the center of the film is Manuela (Cecilia Roth, in a heroically clenched performance), who goes to Barcelona looking for her ex-husband and ends up mothering half a dozen lost souls. She is Mother Courage, Mother Teresa and your mom on her very best day. But All About My Mother also gives the viewer reasons to laugh...