Word: cedars
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After Iowa, Mondale is slugging, Glenn is sagging, and Hart is hanging in First Des Moines and Cedar Rapids in Iowa, then Manchester and Concord in New Hampshire: plain-folks places nearly as thick with TV equipment and visiting reporters as Sarajevo had been the week before. But unlike the Olympics, which had enough surprises to keep things interesting, the quadrennial race for the Democratic presidential nomination was beginning to look like a predictable rout. "We got the gold and silver medals," declared Walter Mondale's polltaker, Peter Hart, after the Iowa caucuses. "Everybody else fought over the bronze...
...silly femininity of women painters were almost unbelievably phallocentric. Thus Peggy Guggenheim, the first major collector of Pollock's work, seems to have been so jealous of Krasner's place in his life that she refused to acknowledge her as an artist. And a poll in the Cedar Bar or any other watering place of the New York avant-garde would simply have echoed Picasso's dictum that women were always "goddesses or door mats," never painters. Add to this Krasner's prickly contempt for diplomacy with critics, and one can see why for most...
...Cedar Rapids, Iowa...
...life on a farm near Anamosa, Iowa. No artist was more accommodating to his clients; his first mural commission, The Adoration of the Home, 1921-22, showing a group of allegorical figures around a cornfed goddess of the hearth who holds up a model house built by the Cedar Rapids developer Henry Ely, is a masterpiece of kitsch. But when unleashed, his imagination would scoot back to Anamosa every time...
...from being a lampoon of conservative Midwestern farmers and their wives, American Gothic is, as she points out, "not about farmers, not about a married couple, and not a satire." Thirty-two years' difference in age lay between its models, Wood's sister Nan and a Cedar Rapids dentist named McKeeby. The subject of American Gothic is in fact a small-town Midwesterner and his unmarried daughter, and once this is seen, the details of the painting fall into shape, as Wood meant them: the pitchfork becomes a scepter of paternal authority, a weapon for fending off suitors...