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...Chicago Symphony plays chimes, cowbells and celesta (a cross between a harpsichord and a xylophone) that give the impression of mountains and lakes at Maiernegg, where Mahler composed. The first three movements suggest rest and relaxation. Two children make castles and zigzags in the sand in the Scherzo. The kids are Mahler's, according to Alma...

Author: By Robert F. Deitch, | Title: Francis Ford Mahler's Sixth | 1/26/1981 | See Source »

ABBADO HAS A WEAKNESS for airy tunes played on glockenspiel and celesta. The tunes come and go between martial rhythms. Young Gustav, fascinated by the military, could never quite part with his recollections of parading soldiers. The march was to Mahler what the Ring of the Nibelung was to Wagner...

Author: By Robert F. Deitch, | Title: Francis Ford Mahler's Sixth | 1/26/1981 | See Source »

...from the balconies of the hall. In another piece, Kyr also uses an unusual spatial arrangement of sound. "Struggles in Passing," a dance mime about the nature of work, is accompanied both by a tape produced using subway noises and conversations, and by the ensemble of flute, tow clarinets, celesta and piano. The sounds of the instruments filter in from outside of the theater hall, while the tape is projected directly into the hall. The mimes move between a pastoral, smooth kind of work and more isolated, abstract industrial motions, supported by two levels and qualities of sound...

Author: By Katherine P. States, | Title: Between Dance and Drama | 2/22/1979 | See Source »

...represent the different levels and intensities of action. The most striking distinctions are between the music moving the spirits and that moving the mere mortals. All different kinds of musical textures and harmonies distinguish the two groups. The fairies are musically represented by instruments like the harp, harpsichord, and celesta; and percussion that frequently goes off at melodic and rhythmic tangents as unexpected as are Puck's entrances and exits. The humans' movements are heralded by woodwind and strings that stay comparatively close to the everyday world. Occasional discords throw into relief the eeriness of the fairy themes. Philip Kelsey...

Author: By Diana R. Laing, | Title: Thickets of Enchantment and Illusion | 4/16/1977 | See Source »

...commercial ("Pepsi-Cola hits the spot"), he wrote the signature themes for 26 radio stations. But, claims Siday, that is old stuff now. "You just can't get a good drenching rain sound with an orchestra. If Tchaikovsky were around, he wouldn't be writing for the celesta but for the sawtooth oscillator...

Author: /time Magazine | Title: Composers: Swurpledeewurpledeezeech! | 11/4/1966 | See Source »

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