Word: celestino
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...That's the whole point," Celestino answers. But Celestino, a lifelong, dedicated anarchist, has in fact misplaced the point of things-or rather, has lost his anarchist's well-ordered assurance of their pointlessness...
...might have been killed," says Celestino's daughter, disapproving but not surprised...
...Impotent & Dangerous." Celestino's decline, as he loses his firm grip on nothingness and stumbles into senescence and death, is told in a novel that for most of its length is wry and likable. But the author, the distinguished French Playwright Henry de Montherlant, has chosen to cast not only Celestino but the novel itself into absurdity. Clearly this was to have been a novel of ideas; in detail it is. Celestino is full of lively observations and prickly comments. And the author appears to have something climactic to say. In successive pages he pastes up his posters, hires...
...fraud is worked this way: Celestino returns to Madrid to settle a will, and there he attends a mediocre bullfight. He comes to understand that a certain ill-favored bull, badly killed with four clumsy thrusts of the sword, represents Man. "More and more wary and more and more duped, more and more vicious and more and more mocked, more and more both impotent and dangerous, ineluctably doomed to die and yet still capable of killing: such was the bull at the end of its life, and such is man." Deeply troubled, Celestino returns to his hotel, lies down, experiences...
Killed by the Nonexistent. There is an inflexible rule that in a novel about Spain the death of any male character over the age of five must be made to parallel the ritual of the bullfight, and a reader assumes that Celestino's four pains are merely Montherlant's notion of a heart attack. Not so. The police come, flip poor Celestino over, and discover "four thin clean holes which might have been made by a knife or sword." Has Celestino been murdered in some highly symbolic fashion? Apparently not; nor is there any hint that the supernatural...