Word: celli
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Dates: during 1960-1969
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...strong, rhythmic Schubert's Third Symphony opened Saturday evening's program; basses and celli played with striking clarity, and the string sound was alive and tuned. The last three movements were less compeling in rhythm than the first, and the winds were often out of tune, but these were minor obstacles to the emotional realization of the music, which was always there...
...even if the orchestra had played only the third movement, the concert would have been the finest the HRO has given this season. The movement is incredibly sensual, and the intensity of Yannatos' interpretation enhanced this quality. The melody, introduced by the celli, is first picked up by the rest of the strings, and finally by the oboe and the rest of the orchestra. The tension builds slowly with only momentary relief, until the audience almost aches for it to end. But it continues until the trumpets recall the melody of the first movement at the climax, and the violins...
...accompaniment, he was calling for every ounce of expression the pianist could muster, and exposing it to the audience. Levin rose to the challenge, with an admirable blend of feeling and control. Mozart is not as sure fire as Telemann, and it kept the orchestra on its toes. The celli were lithe and interesting on a part that can't have been intrinsically fascinating...
...ORGANIZER. Director Mario Moni-celli's drama about a 19th century strike in Turin has warmth, humor, stunning photography, and a superb performance by Marcello Mastroianni as a sort of Socialist Savonarola...
...ORGANIZER. Director Mario Moni-celli's drama about a 19th century strike in Turin has warmth, humor, stunning photography, and a superb performance by Marcello Mastroianni as a sort of Socialist Savonarola...