Word: cellier
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...murderer by a convenient accident. Are villains too often betes noiresl The driver is a child-beating, wife-torturing, mistress-abusing salaud. Does the pursuer fall in love with his quarry-as Belmondo did with Deneuve in Mississippi Mermaid! The villain's mistress (Caroline Cellier) is a lodestar of beauty and melancholia. Naturally, Charles is smitten...
...successful London play by Ester McCracken and has a east that is probably unknown in this country, even in Boston. The acting and the direction are so smooth and appropriate to the setting and story that they can go unnoticed as such. However, the superb comedy antics of Frank Cellier as the befuddled lover-fisherman, and that of Edward Rigby as the village tosspot, deserve singling out for special praise. There is also a spirited young miss named Barbara White, whose freshness and beauty remind us of an old ideal we once had, oh, many years ago. After the Dickens...
...British law & order, have captured a pair of important emissaries from Sinn Fein headquarters but their lorry is hijacked by a mysterious local Sinn Fein chieftain named Commandant O'Dea (Niall MacGinnis). Neither suspects that O'Dea is the high spirited young brother of Maureen Elliot (Antoinette Cellier), the Irish girl with whom both are in love. Maureen does not suspect either, until Commandant O'Dea is surprised on a tip given by an informer, shot by Captain Wiltshire after Inspector Hannay's gun jams. When Maureen nevertheless helps Captain Wiltshire to escape a Sinn Fein...
...sequel to Alexander Korda's famed The Private Life of Henry VIII, so close in general merit to its predecessor, that there seems no reason why the story cannot keep on chronologically up to and including Edward VIII. The royal panorama starts with Henry VIII (Frank Cellier) on his deathbed, cursing his courtiers and appointing his successor. Most formidable source of royal acrimony is Warwick (Cedric Hardwicke), "a man without conscience and without fear," who becomes the power behind the new throne. He does this by setting his rivals at sword's point until they have obliged...
Every bit as sound in its child psychology as the less wholesome Children's Hour (TIME, Dec. 3). Birthday boasts a stageful of convincing actors. As Irene. Antoinette Cellier repeats her London success, is a properly moody adolescent. Producers Harmon & Ullman have provided a fairly credible London scene which will be completely so when they tear the NRA label out of Baba's school coat...