Search Details

Word: cellist (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...well-realized element of Miller's script is a "lone cellist," here ingeniously expanded to two, probably as underapreciated as it is slightly overused. Like voices calling and responding to one another, they act, unlike much musical interscenic filler, to further contemplation with subtle gradations of emotion rather than the current fad of ironic comment or scene-labeling through dastardly clever epoch-hopping musical selection. Bach (played by Laura Lee'00) and Gounod (Luba Mandzy '01) trade strains here, at the same time softening and commenting upon the rough edges of Miller's emotional landscape...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: And It Feels Just Like I'm Walking on... | 11/14/1997 | See Source »

...momentum from Shaham's graceful interpretation. It is difficult to say, however, whether it was this passion or sheer accident that caused conductor Seiji Ozawa to throw his baton into the cello section shortly before the end of the movement. The piece was nonetheless otherwise seamless (and an obliging cellist returned Ozawa's baton shortly after it landed at his feet...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Taking the Cynicism out of Symphony | 10/10/1997 | See Source »

Those struggles suffuse Hourglass (Columbia), Taylor's 17th original album, which will be released next week. The CD boasts an array of guest collaborators, including cellist Ma, Stevie Wonder, Sting, Shawn Colvin and Branford Marsalis. But it is vintage Taylor, blending ironic detachment with personal reflection. In Enough to Be on Your Way, the finest song on the album, he probes in part the death of his brother. During recent rehearsals with his band in Los Angeles, there was a long silence in the room every time he finished playing...

Author: /time Magazine | Title: MUSIC: STILL SINGING THE BLUES | 5/19/1997 | See Source »

...Sekino '99, the winner of HRO's Concerto Competition, dwarfed her colleagues with her huge technique. Though her double notes left something to be desired (and whose don't?), her fearless and flawless octaves, the sine quibus non of Lisztian bravura, eradicated this quibble. A duet passage with principal cellist Steve Cho '97 was captivating, but the otherwise bland ensemble writing made it impossible for the orchestra to advertise itself. This is mostly Liszt's fault, but things would have improved if the others had played with even a fraction of Sekino's drive. Her music-making seemed to grow...

Author: By Matthew A. Carter, | Title: HRO Tackles Challenging Program with Striking Results | 3/6/1997 | See Source »

Students such as folk singer Julie B. Geller '97 and cellist Julia Tom '96 were among a variety of student and faculty musicians who presented pieces...

Author: By Dafna V. Hochman, | Title: Adams House Holds Benefit In Honor of Retired Librarian | 2/24/1997 | See Source »

Previous | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | Next