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Word: cello (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Hell's Pastures. His narrative is largely concerned with Major John Stone, an American who first came to Paris as holder of a scholarship in cello playing, played the organ briefly in a corrective school for girls, and, war being war, wound up an OSS operative in the French resistance. In a novel given to symbolism, his chosen code name tells much of the man and the book. It is "Dante" -the man who came back from Hell. Humes, no Virgil, conducts his Dante through the small hells of war, dishonor, and the loss of love. Hell, he suggests...

Author: /time Magazine | Title: Books: Two Strangers in Paris | 5/26/1958 | See Source »

Unfortunately for those who are fond of nostalgia, the show was stolen by soloist Charles Forbes with a virtuosic performance of the Haydn Cello Concerto, but there was much else to recommend itself...

Author: By Paul A. Buttenwieser, | Title: Bach Society Orchestra | 5/13/1958 | See Source »

...Mornings I pupil-teach in preparation for a teaching license. The morning teachers are far deader than the afternoon corpses. Evenings I study, periodically falling asleep over a book with the cross-eyed Siamese cat asleep at my thigh. Tomorrow I will eat three big meals and play my cello...

Author: /time Magazine | Title: Books: The Beat Booksellers | 4/14/1958 | See Source »

Beethoven: Trio No. 7-"The Archduke" (Emil Gilels, piano; Leonid Kogan, violin; Mstislav Rostropovich, cello; Monitor). Three virtuosos demonstrate that the Red Russians can do as well as Whites. The players melt their individual talents into a superlative ensemble performance which makes this latest version of an exquisite trio close to irresistible...

Author: /time Magazine | Title: Music: Records: Chamber Music | 12/16/1957 | See Source »

Italian Chamber Music (soloists and Societas Musica Orchestra of Copenhagen; Vanguard). A delicious antipasto of Italian baroque, featuring Albinoni's melodies in the Trio Sonata in A, Opus I No. 3 for two violins, cello and virginal; Alessandro Scarlatti's serene Sonata in F; and a highly stylized love song for tenor accompanied by cello and harpsichord, by a 17th century Casanova named Alessandro Stradella. The power of his music was legendary. Once, so a story goes, assassins hired by a prominent Venetian (whose mistress Stradella had carried off) caught up with him in a church where...

Author: /time Magazine | Title: Music: Records: Chamber Music | 12/16/1957 | See Source »

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