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...dismay is tempered by excitement over a new generation of instrument makers who, utilizing research by Nagyvary and others, are producing violins, cellos and violas almost indistinguishable in quality from a Stradivarius. Lin himself often plays on a violin made by a Brooklyn-based luthier, Sam Zygmuntowicz. Idaho-based cello maker Christopher Dungey has made instruments for the world's top cellists. Lin says, "We don't know whether the modern instruments we're using will be, after 100 years of vigorous playing, equal to Stradivarius. They already sound pretty darn good right...

Author: /time Magazine | Title: Accidental Genius: Why a Stradivarius Sounds So Good | 2/15/2009 | See Source »

...character as they announced new Harvard initiatives in accordance with the recommendations of the Task Force on the Arts. Introduced by Faust as “the beautiful Yo-Yo Ma,” Ma performed an awe-inspiring rendition of the Sarabande from Bach’s first cello suite and animatedly discussed his life in the arts. Although he admitted that he can’t carry a tune without an instrument, he explained the value of sharing and communicating an emotional connection with music instead of teaching and learning notes in a strict one-way fashion.After closing...

Author: By Benjamin C. Burns, CRIMSON STAFF WRITER | Title: Yo-Yo Ma Goes Beyond the Music | 2/12/2009 | See Source »

...Seated on a leather piano bench, Harrell opened the adagio-moderato movement of Sir Edward Elgar’s “Cello Concerto in E Minor, Op. 85” with a declamatory broken chord. Harrell—who made his BSO debut in November 1978—favored a smoother, lighter touch to the opening theme, as opposed to the heavily sustained passion of English cellist Jacqueline Du Pré’s definitive 1965 recording of the concerto with the London Symphony...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Impresses Despite Setbacks | 11/24/2008 | See Source »

...Harrell coaxed a fluid stream of airy sound from his cello, creating an ethereal effect that was complemented by the orchestra’s ability to carry the melodic themes through the sections between solo entrances. His never-ending lines brought the Romantic work together with an aching melancholy, echoed in the ringing pizzicato of the heart-wrenching harmonies...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Impresses Despite Setbacks | 11/24/2008 | See Source »

Although the cello concerto had originally been scheduled for the second day of the three-day festival, Yun’s widow ensured that it would be the finale on the last night...

Author: By Bonnie J. Kavoussi, CRIMSON STAFF WRITER | Title: Koh Entertains in North Korea | 10/21/2008 | See Source »

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