Word: celluloid
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Dates: during 1940-1949
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Philip Barry really had something in "Philadelphia Story." Eliot Nugent made a Broadway hit out of "Male Animal." Katherine Hepburn knocked her second home run in a row when she put "Woman of the Year" on celluloid. The combination should have been a sure-fire-blue-ribbon-on-the-nose-double-or-quits royal straight flush. But somehow two and two doesn't seem to make four in the theatre world. It makes a small fraction of one, called "Without Love...
...Woman of the Year," first celluloid of Katherine Hepburn's since she swept stage and screen audiences off their feet with "Philadelphia Story," is something, though not too much, of a disappointment...
...maintaining that the movie-going public will refuse to take in the sort of comedy that appeals to Broadway audiences are going to find the horse-laugh on themselves here, for the Kaufmann-Hart funnybone-tickler has been lifted almost bodily from the stage and set down in celluloid; and it's just as funny...
...Came to Dinner (Warner) continues the glorification of that rococo personality, Monty Woolley-known to his friends as "The Beard." As Lecturer Sheridan Whiteside, of George S. Kaufman's and Moss Hart's cutthroat comedy (TMWCTD), Actor Woolley merely transfers to celluloid, for the exquisite benefit of cinemaddicts and posterity, the unexpurgated version of Alexander Woollcott which he played for two years on Broadway. The switch from Broadway to Hollywood is scarcely noticeable...
Babes consumes so much celluloid at such a loud pace that it is one of the most exhausting pictures of this or any other year. Besides the strenuous theatrical Rooney calisthenics, Babes also has waspy Alexander Woollcott cooing about young folks and the theater; brigades of vigorous young Americans doing dance numbers and rushing about; English refugee children conversing with their parents by short wave. It also has a plot...