Word: celluloid
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
Interlude. Out in the city, alarm tickers punched out tapes, bells clanged, fire trucks lurched from the stations. Inside the hotel the fire grew as if it were fed by celluloid and gasoline. In five minutes it crumbled marble, melted doorknobs, roared up the multiple chimneys formed by the elevator shafts and the stair wells of the 22-story building. Walls took fire on the first five floors. Superheated gases and choking smoke blew through corridors all the way to the roof. But for what seemed a long time the streets outside stayed as dark and quiet as if nothing...
...Maitre Lop, serious and simple in his white celluloid collar, black shoestring tie and tortoise-shell glasses, greeted them from the stage. He wore his usual huge black Homburg on the head his followers say is shaped "like a flatiron upside down, recalling the glory of the Victory of Samothrace." Beside him were his ministers: one in charge of Folklore and Sex, another with the portfolio of Justice, Sports and Leisure, another of Tobacco and Health. The two most important were the Minister of the Fight Against the Opposition, and the Minister of the General Situation. They were "Lopologists...
Comparison is inevitable when a film such as "Laura" is transplanted to the legitimate stage, and, for once, the celluloid version is clearly the superior of the two. The Hollywood production, combining superb acting and photography with fine music, was notable for swift pacing and tense atmosphere--the very characteristics lacking in the "Laura" at the Wilbur. Producer Hunt Stromberg Jr. and author Vera Caspary apparently felt that the theatre presented the opportunity denied by the screen to develop real people complete with libidos, but the play starring Miriam Hopkins, Otto Kruger, and Tom Neal, in no way improves upon...
...Postman Always Rings Twice (M-G-M). When James M. Cain started writing his hard, high-strung little novels twelve years ago, it struck many screen-wise readers that he was putting on paper a kind of movie that Hollywood would never dare put on celluloid. Raymond Chandler and Billy Wilder sensationally proved how wrong that was, two years ago, with Double Indemnity, Ranald Mac-Dougall, Catherine Turney and Michael Curtiz followed up last year with Mildred Pierce, less expert yet crudely exciting. But the screen version of The Postman Always Rings Twice, the first, most ferocious and in some...
This week she could finally be seen in celluloid-not once, but twice. Hughes's $2,500,000 The Outlaw was ready for public release (first showing: Richmond). So was Young Widow, a picture Jane made for Producer Hunt Stromberg. Hughes had made his peace with some of the censors who growled after The Outlaw's San Francisco showing; he also did not want to be scooped by Stromberg...