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Word: celluloid (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...they liked the book better. It was a thoughtful study of the police mind and the one thing that destroys it: human feeling. In the movie, on the other hand, thanks partly to Director Ladislao Vajda, Duerrenmatt's Gothic involutions have been pressed as flat as the celluloid they lie on. Even so, the film has an original (if somewhat perverted) air about it, and works up an uncommon amount of suspense...

Author: /time Magazine | Title: Cinema: Police Blotter | 11/7/1960 | See Source »

Decades ago Cecil B. DeMille went to Oberammergau, saw the Passion Play, and left with a vision of all the great celluloid saint-and-sinner-ramas that he hoped to produce. Last week, to attend the century's seventh production of the 300-year-old Bavarian pageant, pilgrims 'crowded into Bavaria in Peugeots, Rolls-Royces, light aircraft, bikes and buses. As the play went on and on and on, lids closed over once reverent eyes: what everyone had come to see-from seats of softest oak-was nothing less than DeMille squared, a seven-hour pseudo-Biblical presentation...

Author: /time Magazine | Title: SPECTACLES: Piety with Profit | 7/11/1960 | See Source »

Actor Ryan's plane has crashed on a glacier. Will Actor Burton rescue his enemy before Warner Bros, runs out of celluloid? A more chilling question, for everyone except possibly the inhabitants of Rhode Island: After Texas (Giant) and Alaska, where will Edna Ferber strike next...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 4, 1960 | 7/4/1960 | See Source »

...week Mille Miglia of celluloid was about equally divided between films that used sex for art and films that used sex for sensation. Items...

Author: /time Magazine | Title: MOVIES ABROAD: The Winners at Cannes | 5/30/1960 | See Source »

Last week, as a roundabout result of these international developments, a lively New Wavelet of cinematic creativity was rolling across the U.S. and gathering momentum by the moment. The beatnik film, Pull My Daisy, which runs only 29 minutes but seems considerably longer, is a sort of celluloid-muffled Howl. Financed (for $20,000) by a couple of Manhattan brokers, it features a few well-known beat bards (Allen Ginsberg, Gregory Corso, Peter Orlovsky) in a "free improvisation" on a scene from an unproduced play by Jack (On the Road) Kerouac. The beatniks stumble around a pad on Manhattan...

Author: /time Magazine | Title: Cinema: New Wavelet | 5/23/1960 | See Source »

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