Word: celluloid
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Dates: during 1960-1969
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...sour as The Comic. If its advertisements are to be believed, the movie is simply a fond lampoon of Hollywood's pride-and-pratfall epoch. As the film unreels, it becomes in fact a furious editorial about a business that treats its veterans like overexposed celluloid...
...quality film. Such scandalous scenes as a female-to-male rape with a leather dildoe may prove too much even for today's censors. When Author Vidal is not trumpeting the beatitudes of bi-sexualism, he is trying to convey another message: ours is a society dangerously worshipful of celluloid (there are no fewer than 95 stars mentioned in his book). Thus the film version of Myra comes full circle; it will be a movie about a book about movies...
...shows, comes not from scheming and exploitation but from the slow corruption of courage and spirit. "Fat City," as fighters sometimes call success in boxing, is bankrupt. The long sleek cars, the sweet shock of public recognition, the feel of silk on skin is, for most fighters, pure celluloid fantasy. Their daily rounds are marked instead by steady pain and a sameness that is itself the mark of most hells...
...stoic and a killer." Superficially his films have been as alike as buffalo nickels. Only the date changes; even the Indian looks the same. Yet through the decades there has been a perceptible alteration. The public, riding along in movie houses or taking the TV shortcut, has watched the celluloid Wayne pass through three stages of life. In the '30s, he was the outspoken, hair-trigger-tempered son who would straighten out if he didn't get shot first. By the late '40s, he had graduated to fatherhood: topkick Marine to a platoon of shavetails or trail boss...
...directors to their new eminence first appeared in the pages of the resolutely avant-garde French magazine Cahiers du Cinema. In January 1954, Truffaut, then a critic and aspiring film maker, wrote a prophetic article entitled "Politique des Auteurs" ("The Mark of the Author"). Its purpose: to show that celluloid could be just as prestigious as paper. Movies were not group art, he argued. The scenario, camera work and acting were all under the unifying force of the director -the author of a body of film work...