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Word: celluloid (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Rudimentary, once you get the hang of it," he replied. Examining the dregs of his tea, he continued, "I see myself in the next century played by a number of actors on jiggling celluloid. Raymond Massey, Basil Rathbone-hello! what's this?-Here I am in 1970, in The Private Life of Sherlock Holmes...

Author: /time Magazine | Title: Cinema: The Adventure of the Misplaced Pastiche | 11/9/1970 | See Source »

...undone by talkies. Alcoholism and poverty followed the decline. It was not until the '50s that he was rediscovered and merchandised in Ford commercials and films like Beach Blanket Bingo. Such travesties are happily omitted from the Rohauer restoration. Instead, there are the fabulous originals, now preserved on celluloid stock -works like The General, a Civil War comedy which could have been photographed by Mathew Brady, and the complex and hilarious Navigator, deservedly Keaton's biggest moneymaker...

Author: /time Magazine | Title: Cinema: Great Stone Face | 11/2/1970 | See Source »

...began to learn about rock 'n' roll, and to please her, they began to learn about the blues. By the time of the Monterey Pop Festival in June 1967, after months of hard practicing in Haight-Ashbury, they were ready. The documentary film Monterey Pop is the celluloid affidavit of their triumph...

Author: /time Magazine | Title: Music: Blues for Janis | 10/19/1970 | See Source »

...fulfillment. Nicholson sends the items on the table, amber water glasses, placements, and all, crashing toward the floor, there is a jump cut, and we're on the road again. It's a curious, but persistent form of emotional poverty, one which eats at the movie like acid on celluloid...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

...comrades is an indelible vignette of the inhuman condition, where the aging pick the reputations of their fallen comrades, like buzzards wheeling over cadavers. In the background hover the symbolic figures of deaf-mutes, youths whose voices, like many Spaniards', cannot be heard. Yet Tristana is no celluloid editorial. Whatever its impetus, it ends with disguised love. The music of the voices, the soft light, the national tone of resignation illuminate a country of bottomless tradition where even a career anarchist and antichrist like Buñuel must, at last, be overwhelmed by the past...

Author: /time Magazine | Title: Cinema: Garlic and Sapphires | 9/28/1970 | See Source »

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