Word: celluloid
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...scribe who pounds out the ironic, smile-provoking reviews of the celluloid strips tripped a bit in his discussion of that stupendous inanity billed as She [TIME, July 22]. I fidgeted through one showing of this insult to my imagination, but was attentive enough to notice that the gentleman preserved in ice "like a lamb chop in aspic'' was not John Vincey, but his valiant servant who had had a terrific encounter with a sabre-toothed monster. John Vincey, on the other hand, was miraculously preserved on a very uncomfortable looking slab, only to be unceremoniously consumed...
...that an axing had occurred. With the backs of their heads shaved bald, the Baroness von Berg and Frau von Natzmer were led in coarse, nondescript prison garb to the blood-caked block from which so many heads now roll in the sawdust. The headsman, incongruous in his yellowish celluloid shirtfront, his old silk hat and his red-spotted tailcoat, raised the gleaming ax. Twice it swished down to sever a lovely neck and send the blood of a German woman spouting high. According to Nazis, the Baroness von Berg was the first female aristocrat to lose her head...
...those who take their flying straight, Paramount's "Wings in the Dark," showing at the Met, will be a disappointment. Unlike "Night Flight," the last airplane picture that was worth the celluloid it was printed on, "Wings in the Dark" is filled with a great many technical inaccuracies...
...celluloid ball, light and fragile as a frozen bubble, flicked across the green table. On one side, stood Viktor Gyözö Barna, executing from just above his shoes the incredible backhand shots that have made him four times ping-pong champion of the world. On the other side, whacking them back with a persistence that amazed sophisticates in the crowd who knew that only two years ago he was one of the late Texas Guinan's tap-dancers, stood red-haired Jimmy McClure of Indianapolis...
Composer Friml's score has charm equal to anything he has done in the 22 years which have passed since he wrote High Jinks. "Sweet Fool" is a ballad worthy of place among modern Schmalzmusik. But the libretto with its creaky structure belongs to the bygone era of celluloid collars and beehive police helmets. In surrendering her role to Natalie Hall, Mme Jeritza escaped being a Venetian noblewoman of 1934 who thinks better of spurning a commoner when, in a flashback, she impersonates her own fisher maiden ancestor in 1770 wooing and winning the Duke of Orsano. She also...