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Word: celluloidal (lookup in dictionary) (lookup stats)
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...fascist. All they needed was a good director, and it was enough to scare you silly--not what happened on screen, but the way you were responding. These pictures didn't necessarily bring out the stormtrooper in you, but they did illustrate the awesomely manipulative power of well-fashioned celluloid...

Author: By Richard Tumer, | Title: THE SCREEN | 7/29/1975 | See Source »

...idol" gives warning that the book is a family correspondence that has embarrassingly escaped into general circulation. The Briton's jaunty charm and his finely constricted delivery are far better commemorated in Lost Horizon, A Double Life, and other ancients that so persistently prove the durability of celluloid over pulp...

Author: /time Magazine | Title: Books: Show and Tell | 6/16/1975 | See Source »

...year for the classics of twentieth century American literature. Following in the tradition of the shoddy treatment given Fitzgerald's The Great Gatsby, director John Schlesinger has successfully denuded Nathaniel West's The Day of the Locusts of most of its brilliance, leaving behind a heap of gaudy celluloid...

Author: By Seth Kaplan, | Title: The Blighting of a Great American Novel | 6/2/1975 | See Source »

...featured clips from 27 movies by Woodward and Newman, attracted Actresses Shelley Winters and Myrna Loy, Director Otto Preminger and some 2,800 well-heeled fans who contributed up to $250 apiece for seats at the Film Society of Lincoln Center benefit. "It's really a celebration of celluloid," quipped Newman, who sported a beard he had grown for his title role in Robert Altman's upcoming film, Buffalo Bill. Plainly relieved that his marathon round of interviews was coming to an end, Newman told his audience that he had come home one evening and complained...

Author: /time Magazine | Title: People, May 19, 1975 | 5/19/1975 | See Source »

...work of a disciple." She then criticizes the film for straying from a strict Laingian analysis and plunges in the final stake by rejecting the movie because she rejects Laing's view of society. Kael has simply missed the point. She tries to transform Cassavetes's film into a celluloid peg and cram it into a neat intellectual hole. But the movie doesn't fit and neither does the man. Neither is quite so neat, articulate or peggable...

Author: By Irene Lacher, | Title: The Obsessed | 3/6/1975 | See Source »

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