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Word: celluloidal (lookup in dictionary) (lookup stats)
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Like many other little girls, Electra Havemeyer liked to collect dolls. Her collection eventually included early American rag and wood dolls, dolls made of bisque, china, papier-mâchÊ, wax, rubber, rawhide, gutta-percha and celluloid. She also liked dollhouses, and wound up owning 43 of them, some big enough to accommodate people...

Author: /time Magazine | Title: Americana: Electro's Hobby | 7/7/1967 | See Source »

Expo 67 is Celluloid City. In nearly every pavilion of Montreal's spectacularly successful world exhibition-more than 18 million visitors so far-the viewer is the ultimate target of a projector. Sometimes film flutters futuristically above or beneath him; sometimes images lurk and flicker all around him, caroming off walls, whirring on blocks and prisms, on hexagons and cruciforms. Sometimes movies are even mounted on a plain old rectangular screen-but everywhere there is film, film, film unreeling...

Author: /time Magazine | Title: Cinema: Magic in Montreal: The Films of Expo | 7/7/1967 | See Source »

...much of Japan's exported celluloid is allocated to films of the nation's vanished grandeur-to the gaudy excesses of feudal overlords, the violent, formalized courage of the Samurai. She and He is one of a handful of recent exceptions...

Author: /time Magazine | Title: Cinema: Oriental Antonioni | 5/5/1967 | See Source »

Only a handful of the festival films are nonmusicals, but they too are strictly Celluloid City. In Kitty Foyle, Ginger's apotheosis of the gallant American White Collar Girl won her an Oscar. In Magnificent Doll, she plays Dolley Madison. Forced into a role that is above her head and a script that is beneath her, she utters Dolley's immortal words to the jailed traitor Aaron Burr (David Niven): "I hope all this will make you think, Aaron...

Author: /time Magazine | Title: Movies: Ginger Peachy | 2/10/1967 | See Source »

Reality intrudes into their make-believe celluloid world when they seek to exchange their hostage for a bag full of francs. A policeman tries to arrest them for double parking and with one flic, the flick, for them, is over. The boys lose their cool, shoot the cop, and spray the surrounding crowd with a submachine gun; three innocent bystanders die. The thieves flee, and like kids miming a game of cops and robbers they shoot it out on the rocks in an abandoned quarry. But playtime is over; the bullets are for real...

Author: /time Magazine | Title: Cinema: Reality on the Rocks | 2/3/1967 | See Source »

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