Word: celluloids
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...task the writers faced in this issue was not simply telling a story but also bringing special insight. Playwright and screenwriter Paul Rudnick (In & Out, Addams Family Values) stirred up a refreshing appraisal of the iconic appeal of Marilyn Monroe, focusing on the legacy of her celluloid image instead of the tabloid conspiracies that crowd her persona. The jazz singer Diane Schuur made poignant connections between her own blindness and that of Helen Keller. Rita Dove, America's former poet laureate, produced a tightly woven mini-epic in prose of the moment of Rosa Parks' apotheosis from unprepossessing Montgomery...
...increasing nightmare to work with, recklessly spoiled and unsure, barely able to complete even the briefest scene between breakdowns. Only in the movies can such impossible behavior, and such peculiar, erratic gifts, create eternal magic--only the camera has the mechanical patience to capture the maddening glory of a celluloid savant like Monroe. At her best, playing warmhearted floozies in Some Like It Hot and Bus Stop, she's like a slightly bruised moonbeam, something fragile and funny and imperiled. I don't think audiences ever particularly identify with Marilyn. They may love her or fear for her, but mostly...
...20th century alchemy. From something as vile as coal tar came a remarkably versatile substance. It wasn't the first plastic, however. Celluloid had been commercially available for decades as a substitute for tortoise-shell, horn, bone and other materials. But celluloid, which had developed a reputation as a cheap mimic of better traditional materials, was derived from chemically treated cotton and other cellulose-containing vegetable matter. Bakelite was lab-made through and through. It was 100% synthetic...
Sure, the Tasty has been captured for celluloid posterity in such quality films as "With Honors" and of course, "Good Will Hunting," but the real thing will be missed. An analysis of the corporate expansion and pressures behind the Tasty's slow demise is best saved for another day. But for now, suffice it to say that Abercrombie and Fitch, Finagle-a-Bagel and Pacific Sunwear--the companies set to move into the Tasty's old haunt--just won't be the same...
...mind. God love Maria Bello, but the whole relationship is unconvincing, the hood and the hooker sitting in a tree... The whole scenario is a waste of screen time that could be put to better use by Lucy Liu, legal eagle by prime time, dial-a-dominatrix in this celluloid romp. She deliciously performs her duties on Porter's ex-partner and is even called upon to give Porter some gun-totin' lovin. As Pearl, she is Gibson's true foil in this movie, she likes to inflict pain as much as he likes to take it. Suffice...