Word: celluloids
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...drawn face of Powell recalled that of Monroe Stahr, the Hollywood producer in The Last Tycoon (played by Robert De Niro in the movie) who presided over a cosmos of exploding egos in order to produce celluloid fantasies. Powell was beset by a nervous President, a clamorous diplomatic gallery, shouting reporters, Israelis, Arabs and the usual indignities of just being in Gotham...
...formula for making films. He finds some big celebrity with little or no experience in front of a movie camera, puts the name in a title role, and crosses his fingers hoping that the mega-star's sheer charisma will carry the audience through two hours' worth of celluloid. But Russell's experience with Roger Daltrey in the forgettable film version of The Who's rock opera Tommy should have taught him that the formula does not necessarily work. A bomb is a bomb is a bomb, and all of Daltrey's striking looks and blonde curls could not hide...
Hooray for Hollywood/ That phony super Coney Hollywood," lyricized Johnny Mercer 40 years ago in a sardonic paean to the legend: instant fame, endless sex and the money to pay for it all. Since then the illusion of celluloid glamour has turned into the tawdry reality of a Los Angeles neighborhood of 250,000 people harassed by crime and vice, mired in the flesh and drug trades and fast fading into the sunset of American cultural history. Now Hollywood is trying to stage a comeback-a drive to revive a decayed area that still attracts 3 million tourists a year...
...unerringly follow the classic lines of so many biopix past. The cheerfully determined young man struggling to support his family while trying to fulfill his ambitions, the opposition from the Establishment in his field, the early heartbreaks, the ultimate triumph-all this is the familiar stuff of a hundred celluloid dreams that have been sold to us as the real goods on popular contemporary heroes...
BELLE ÉPOQUE. While most of the designers were evoking images of the celluloid past or far-flung lands, Marc Bohan for the House of Dior chose his motifs from a nearer era-France's Belle Epoque. Inspired by the writings of Colette, his clothes are flirtatious and feminine. Here there are no robes that conceal the figure, no heavy padding-only effervescent clothes that capture the spirit of Gigi, the gay gamine immortalized by Maurice Chevalier's Thank Heaven for Little Girls...