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Perfect Recall. Why, then, is The Greatest such an agreeable experience? The answer is that The Greatest, a.k.a. Muhammad Ali - who created this role originally for sportswriters and polished it before a thousand television audiences - has now immortalized it on celluloid with perfect ease and confidence. In real life he has become a bit of a bore, especially as his skills in his higher calling, as perhaps the most artful heavy weight in history, have slipped. But .if he can no longer quite remember what to do in the ring, his recall of his marvelous performances outside it is perfectly...

Author: /time Magazine | Title: Cinema: Snow Job | 6/6/1977 | See Source »

...commenced shooting in March 1976. A lot of care and effort went into the movie, and the viewer must keep a grain of salt handy as he takes in Lucas' very deliberate use of tried-and-true cliches--phrases as well as general motifs--that suffuses every bit of celluloid in Star Wars...

Author: By Joe Contreras, | Title: Star Escape | 6/1/1977 | See Source »

...basset-hound gloom, Lucas is a romantic-an innocent romantic. That innocence and that feeling for romance are what make Star Wars so fresh, so much fun and, finally, so fantastic. Lucas believed everything he put on film, and somewhere under the celluloid, he is Luke Sky-walker-out to slay the dragon, rescue the princess and find the Holy Grail. Black is black, white is white, and good will conquer evil, at least in his screening room...

Author: /time Magazine | Title: Cinema: STAR WARS The Year's Best Movie | 5/30/1977 | See Source »

...along-and Luke Skywalker, Han Solo, Artoo Detoo and Threepio receive the gratitude of freedom lovers everywhere. For most audiences the only sadness in the climax is that the film ends and cannot go on and on and on. It is surely one of the swiftest two hours on celluloid...

Author: /time Magazine | Title: Cinema: STAR WARS The Year's Best Movie | 5/30/1977 | See Source »

...festivals. Michael Wadleigh's integration of crowd scene footage into the basic frame work of the gig-by-gig sequence of bands has never been matched by any subsequent film chronicling the events of a music concert, rock or otherwise. Never has a three-hour chunk of celluloid flown by so quickly in recent memory, and I include the Godfather epics in that statement. Joan Baez' rendition of "Swing Low, Sweet Chariot" usually elicits a few catcalls from the rowdies who always show up for a showing of Woodstock, but the film hasn't another rough spot...

Author: NO WRITER ATTRIBUTED | Title: FILM | 5/12/1977 | See Source »

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