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...CELTIC LANGUAGES AND LITERATURE...

Author: NO WRITER ATTRIBUTED | Title: Holidays 1010a. 'The Meaning of Christmas' | 12/8/1982 | See Source »

Their gazes mix awe and deep familiarity and shyness. They are blue-collar people, or else small farmers who work these hills. Mostly they have rough, country faces and washed, flat, distantly Celtic eyes. People in wheelchairs are pushed up to his wheelchair, and George Wallace reaches out the gentlest communing hands to them, and spends long moments with each, consoling and almost, one thinks, healing. He has the nimbus of saint and martyr-or at any rate, of a celebrity who has passed through the fire and the greater world; he has come back to them from history, come...

Author: /time Magazine | Title: George Wallace Overcomes | 10/11/1982 | See Source »

...album, Shoot Out the Lights. It is a record that has no contemporary equal for surpassing a particularly difficult goal: working the simple tragedies of the everyday into the stuff of folk legend, and letting the stories flow through melodies that seem to have been tapped from some deep Celtic wellspring. The music, fresh, strong and startling, has ancient reverberations and contemporary overtones. Each song has the clenched power and pitiless clarity of a Francis Bacon painting...

Author: /time Magazine | Title: Music: Songs of Sad Experience | 8/30/1982 | See Source »

...flavor of an old ballad. Indeed, Thompson's apprenticeship as part of the seminal English folk-rock band Fairport Convention provides a kind of melodic continuity with the past. "Folk doesn't mean anything any more," he says. "Our strongest roots are in British and Celtic traditional music. In terms of song structure, we come out of the Scottish ballad form more than anything else. But what we play is rock and roll." Thompson, son of a Scotland Yard detective who played guitar in police bands ("He wasn't good. I'm sure...

Author: /time Magazine | Title: Music: Songs of Sad Experience | 8/30/1982 | See Source »

...poems Hardy suggests the way the world looked to him: a primeval landscape dotted with "wind-warped" thorn, where a hawk circles above a hedgehog in a permanent Celtic twilight. Yet, somewhere on the far horizon of his stories, a tiny solitary figure can usually be found: a latter-day Adam, as lost as on the first day after the Fall-or, more likely, an Eve. The storms Hardy stages on his heath are nothing compared with the tempests of sexual passion that tear at the hearts of these lonely wanderers among the thorns: Bathsheba of Far from the Madding...

Author: /time Magazine | Title: Books: Modern Nerves | 6/21/1982 | See Source »

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