Word: cements
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Dates: during 1960-1969
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...hurricane of social unrest struck Columbia at a time when the University was deficient in the cement that binds an institution into a cohesive unit...
...diverse collection of businesses that last year had sales of $79 million, and the Colson Corp. ($12 million), a maker of food carts and other equipment. They also own a myriad of smaller companies in the U.S., Canada, Britain and Australia involved in mining and agricultural equipment, cement and fertilizer. Then there are 400,000 acres of timber and farmland in the South and Northwest, plus housing developments and shopping centers in Chicago, Las Vegas and Puerto Rico...
...building itself up again. The din and confusion of building has become a built-in part of the city's confusion. Everywhere old towers crumble, excavations appear, followed by the quick climb of high steel skeletons. They rise straight from the busy city streets, the clusters of trucks, cement mixers and cranes hopelessly aggravating the snarl of traffic. Amid all this there arise new questions about the price of progress...
...movie, the camp's single .50-cal. machine gun sits splendidly unprotected on a little hillock and the commanders direct the battle from a fragile watchtower that the Communists somehow manage to miss to the last; in reality, Green Beret camps are heavily bunkered, often reinforced with cement. In the movie, an evening's relaxation for Special Forces officers involves an outing to a Miami-style club, at which some of the guests are in evening clothes; in reality, substitute a few cans of beer in a bare, functional officers' mess. In the movie, the Viet Cong...
Latvian-born Sven Lukin, 34, also distorts perspective to reflect the pressures of Manhattan life. Of his grey and pink Squeeze, he explains: "Think of tender flesh squeezed under an environment that is all speed, cement and cars. Grey is an urban color." Squeeze seems to loom above the viewer far larger than its actual eight feet because its vanishing point is situated a foot or so below the painting, in what is known as "worm's-eye perspective." Traditionally, perspective was used to make a painting seem to open a window into the wall; Lukin uses the technique...