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Like other agents in charge of the FBI's 59 field offices, John F. Malone, known as "Cement Head" to his colleagues, was a cautious man. When he headed the New York City office from 1962 to 1975, he followed the instructions of FBI headquarters to the letter and stashed his most sensitive papers in a private safe to keep them beyond the reach of nosy congressional investigators...

Author: /time Magazine | Title: THE FBI: Cement Head v. The Dirty Dozen | 7/5/1976 | See Source »

...Boston, after months of meditation and a week's work, Vincent Dimarzo and Alton Wilkins signed their names to the Declaration of Independence. The document was inscribed by the freelance painters on a cement mixer that stops traffic with its revolutions...

Author: /time Magazine | Title: Modern Living: Hooray for that Old RWB | 7/5/1976 | See Source »

Cabrera's pessimism and deadpan irony cement these fragments into a book. Whether he is describing some feat of unbelievable bravery, such as peasants armed only with machetes attacking a Spanish cavalry unit, some amazing apathy or some quite ordinary cowardice, he always deflates heroic claims that men control their destiny. Battles are planned with strategy and won by blind chance. So many of these incidents are simultaneously horrible and funny that the reader is only left wondering, or cynical...

Author: By Dain Borges, | Title: Epiphanies of Struggle | 5/28/1976 | See Source »

PUBLIC LAVORATORIES are generally dim, grimy places with wet cement floors and grimy white porcelain. Either that, or they are new and shiny with gleaming chrome faucets, row on row. In an effort to make such places interesting, since they were already necessary, grafitti were invented. There, in a cold, impersonal chrome-and-steel world is one man's mark upon the wall, a blow against the empire: JUAN LOVES MARIA, forever and ever...

Author: By Joseph Dalton, | Title: Futurism and All That | 5/17/1976 | See Source »

...schematic drawings in real life form a confusing jumble, one in which it's hard to tell where the order is. The red brick, while offset by inset balconies and windows, is still massive and intimidating. The pedestrian areas are claustrophobic, their trees in neat rows or sunk in cement, quite unlikely to be the site of casual gatherings. The river is nearby, but so is the noisy traffic on Soldiers Field Road, Western Ave. and the Mass Pike. The complex's curious siting isolates it from most of the surrounding area, so that if you wanted to buy something...

Author: By Nicholas Lemann, | Title: A Room With a View | 4/29/1976 | See Source »

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